by Geneive Abdo & Jonathan Lyons ‧ RELEASE DATE: March 1, 2003
A thoughtful, reasoned contribution to the distressing affairs of the Middle East.
Which is stronger: the ayatollah or rock ’n’ roll?
Progressive Iranians, weary after 20 years of the ever-more repressive regime of the mullahs and their religious police, had much reason to hope that the inauguration of President Mohammed Khatami, a dark-horse candidate who in 1997 “had won by a landslide, beating out the handpicked conservative designated for the job,” would usher in a period of comparative freedom. And Khatami at first did much to reinforce that hope, write husband-and-wife journalists Abdo (No God But God, 2000) and Lyons, who were based in Iran from 1998 to 2001. Himself a journalist, Khatami declared, for instance, that the press would henceforth be free to criticize the government and himself, to say nothing of the clerics. The clerics responded angrily, bringing their considerable power to bear on the civil government and, in the authors’ view, repudiating the traditional Shi’ite Muslim vision of a society free of religious despotism. Abdo and Lyons point to a paradox that the Iranian government has failed to resolve since overthrowing the Shah: “Is it an Islamic state ruled by clerics or a republic ruled by the people?” Neither, it would appear—or perhaps both, though in either instance Khatami’s attempt to liberalize the government was steadily undone, with opposition newspapers closed and journalists, trade unionists, and student leaders imprisoned for having dared question the authority of the “Minister of Slogans” and other arms of the octopus state. In the authors’ blow-by-blow account, the mullahs emerge as villains through and through, victimizing not only the progressives but also ordinary Iranian Muslims by coveting the power they are supposed to shun. Whether the reform movement is truly dead remains to be seen; though the authors fear that it is, recent newspaper headlines suggest that plenty of Iranians still long for “an Islamic system but one built on social justice and civil liberties” and are willing to fight to bring it about.
A thoughtful, reasoned contribution to the distressing affairs of the Middle East.Pub Date: March 1, 2003
ISBN: 0-8050-7299-3
Page Count: 304
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
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More by Geneive Abdo
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by Geneive Abdo
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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