by Genie Chipps Henderson ; illustrated by Charlotte Sherwood ‧ RELEASE DATE: Sept. 4, 2018
Despite its weaknesses, this book is hard to close until you find out who lives and who doesn't.
The true story of an unpredicted hurricane that destroyed the east end of Long Island in 1938, told through the experiences of a fictional cast of locals.
A fisherman and his wife. A young couple who have grown apart as he slaves at an ad agency in the city and she runs their house and raises their child with the help of a houseman, a former Pullman porter. A beautiful, adulterous socialite and the old guy she married for his money. Two members of the Garden Club, one content with her little family, the other stuck with an obstreperous real estate agent. An illustrator from New York who rents a shack on the beach in hopes of finding his inner artist. A mysterious beachcomber. And many more. Henderson populates her debut with a gigantic cast that includes all the different types (often, stereotypes) of people who lived in this area in the late '30s, and every single one of them has a complete backstory and a web of connections to the others. Then she unleashes the events of Sept. 21, 1938, starting with the odd, random effects of the dropping barometric pressure—a huge cloud of butterflies, a blown-out window, a balky pony—and ending with a wall of waves and cyclonic winds ripping houses apart, downing 100-year-old elms, and killing off much of the cast. The quality of execution of this ambitious project is highly inconsistent. It's a compelling story full of interesting detail about life in the area during this period. But some of the writing is shockingly poor, cliché-ridden and naïve. The vast number of characters and the complicated structure desperately need pruning, and the whole novel could have used stronger editing.
Despite its weaknesses, this book is hard to close until you find out who lives and who doesn't.Pub Date: Sept. 4, 2018
ISBN: 978-1-888889-91-8
Page Count: 378
Publisher: Pushcart
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Oct. 29, 1970
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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