Culled from the past decade's Pushcart Prize selections, a collection for those who like their tales of love light on sentimentality and with a twist. Some of the best work features strong voices from people of color. In ``Crazy Life'' by Lou Mathews, Chuey's girlfriend gets him off the hook for a murder rap, but Chuey abandons his partner to a prison term and the East LA community makes life miserable for him. Lorna Goodison's ``By Love Possessed,'' set in Jamaica, details the affair of Dottie and Frenchie, who is ``probably better looking than Ricardo Montalban'' but unemployed. Dottie looks like Olive Oyl but can support Frenchie. The tenuous trade of different currencies ends disastrously. Likewise, Joyce Carol Oates's ``The Hair'' tells of one rather ordinary couple's friendship with a pair of socialites. The first couple's efforts to hold on to their status-lending friends threaten to compromise their own marriage. Incest is a frequent theme or subplot in the collection. ``Lawns'' by Mona Simpson portrays an abusive situation and its damaging effects on the daughter in later life. ``Hush Hush'' by Steven Barthelme presents a more off-beat, yet compelling incestuous scenario. If there is a flaw in this collection, it's that it takes itself too seriously. The book could use more entries such as ``Tell Me Everything'' by Leonard Michaels—perhaps the most well- crafted and playful of the lot, featuring an epic novel embedded within the story. ``Yukon'' by Carol Emshwiller likewise provides a refreshing perspective. A north woods woman leaves her bearish, north woods man and shacks up with an actual bear in a cave. She's happier with the bear, for a while. Many of ``the rest of us'' will be pleased with this thoughtful collection of intelligent romances. However, it fails to include a number of topics: safe sex, cybersex, etc. Also, the focus is overwhelmingly heterosexual.
Pub Date: June 1, 1994
ISBN: 0-916366-90-1
Page Count: 400
Publisher: Pushcart
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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