A funny popcorn read with more fiber than empty calories.
When the dance team purloins the band’s funding, a fat boy fights back.
Gabe, so fat that even his friends and teachers call him Chunk, has two joys: playing in the school band, his sole source of self-worth, and soda from the vending machine that funds the band. Both joys are stolen from him. A sudden, drastic price increase makes his pop habit unaffordable, and the money that should have been funding summer band camp has been diverted to a new dance team for the cheerleaders. Tired of being a joke and pushover, Gabe fights back, organizing a campaign to save band camp. The animosity between band geeks and jocks quickly escalates, unjustly threatening band’s existence, leading to a vending-machine heist. Coming into his own as a leader, Gabe also deals with emotional pain, and his former-bodybuilder grandfather coaches his physical improvement. The narration is Gabe’s account of the theft, recorded by his lawyer, and this concept fumbles in execution, as Gabe constantly addresses his lawyer, hindering readers’ immersion in the story. Nevertheless, the funny, profane text embraces the idea that nobody is perfect—Gabe himself is a jerk, and his discovery of his own jerkiness prevents him from being a one-note victim and provides delightful organic growth. The funding-feud storyline wraps up too easily, but Gabe’s character growth will satisfy any appetite.
A funny popcorn read with more fiber than empty calories. (Fiction. 13-17)Pub Date: May 6, 2014
ISBN: 978-1-4022-9141-8
Page Count: 320
Publisher: Sourcebooks Fire
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Mouths have never run so dry at the idea of thirst.
When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.
When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.
Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)Pub Date: Oct. 2, 2018
ISBN: 978-1-4814-8196-0
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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