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BIG MIND

HOW COLLECTIVE INTELLIGENCE CAN CHANGE OUR WORLD

An essential primer on an important new discipline.

How thought happens on a large scale.

Why do some organizations seem so much smarter than others? Can people think together successfully in groups? How can technology help? In this brilliant, somewhat heady, but generally accessible book, Mulgan (The Locust and the Bee: Predators and Creators in Capitalism’s Future, 2015, etc.), chief executive of Nesta, Britain’s National Endowment for Science, Technology and the Arts, shows how the answers can be found in the emerging field of collective intelligence, which links people and machines to foster “dramatic jumps” in group intelligence. The smarter outcome does not happen automatically; it must be carefully orchestrated. The tools for CI are expensive, found mainly in the military and finance and rarely in the health and environmental sectors. Were they widely available, writes the author, they could give us a “truly global intelligence” that “could solve global problems—from pandemics to climate threats, violence to poverty.” Drawing on such disciplines as social psychology, computer science, and economics, as well as his experiences as a co-founder of the think tank Demos, Mulgan outlines the elements of CI, which has informed collaborations from the Manhattan project and NASA’s moon landings to Google Maps and Wikipedia. His recounting of a well-known past attempt to organize collaborative thought on a large scale—the Oxford English Dictionary, which engaged a huge army of volunteers working according to strict rules—illustrates nicely how the orchestration and properties of a group “far exceed the capabilities of any one part.” The author examines the many elements of CI, making clear how computers have enhanced our capabilities, from observation to memory, and shows how they work in real-life settings like the economy, universities, and meetings of all kinds. “Environments that are stimulating, demanding, and engaging will tend to enhance intelligence,” he writes.

An essential primer on an important new discipline.

Pub Date: Dec. 1, 2017

ISBN: 978-0-691-17079-4

Page Count: 304

Publisher: Princeton Univ.

Review Posted Online: Sept. 18, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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