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THE WAR

AN INTIMATE HISTORY, 1941–1945

Excellent—an introduction to the war for the uninitiated, and a scrapbook of sorts for those who remember it.

Epic, lavishly illustrated accompaniment to the PBS series, of a piece with The Civil War, Baseball and other such overstuffed packages.

“For those Americans who lived through the Second World War…it remains to this day simply The War.” So write Ward (Unforgivable Blackness, 2004, etc.) and filmmaker Burns at the close of this history, which manages to be at once pointedly cautionary (“no nation should embark upon any war without first understanding what its cost will be”) and celebratory in a Capraesque sort of way. Their WWII is a story of ordinary Joes (and Janes, though they figure a touch too little here) made extraordinary by circumstances; some of them have been overlooked, such as the Japanese-American 442nd Regimental Combat Team, and some are overlooked even here, such as the 10th Mountain Division. Despite limitations of coverage—and it’s to be noted that this is emphatically the American war, which began more than two years later than the Russian, British and French war against fascism—Ward and Burns take a wide-angle approach, considering the effects of combat on the home front and providing plenty of photographs that have not been seen dozens of times in other books; the absence of iconic Iwo Jima and Times Square shots is refreshing, the inclusion of made-for-moderns images of mayhem and death often disturbing, which is just as it should be. Interspersed throughout the text is an affecting war-at-home commentary from contemporary newsman Al McIntosh, who writes of apprehensive draftees leaving and equally apprehensive veterans returning to Wisconsin. Other voices include the scholar-veteran Paul Fussell and the great combat journalist Ernie Pyle, who writes of GIs turned from civilians into hardened warriors: “The most vivid change,” he observes, “is the casual and workshop manner in which they now talk about killing.”

Excellent—an introduction to the war for the uninitiated, and a scrapbook of sorts for those who remember it.

Pub Date: Sept. 12, 2007

ISBN: 978-0-307-26283-7

Page Count: 480

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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