Excellent—an introduction to the war for the uninitiated, and a scrapbook of sorts for those who remember it.
Epic, lavishly illustrated accompaniment to the PBS series, of a piece with The Civil War, Baseball and other such overstuffed packages.
“For those Americans who lived through the Second World War…it remains to this day simply The War.” So write Ward (Unforgivable Blackness, 2004, etc.) and filmmaker Burns at the close of this history, which manages to be at once pointedly cautionary (“no nation should embark upon any war without first understanding what its cost will be”) and celebratory in a Capraesque sort of way. Their WWII is a story of ordinary Joes (and Janes, though they figure a touch too little here) made extraordinary by circumstances; some of them have been overlooked, such as the Japanese-American 442nd Regimental Combat Team, and some are overlooked even here, such as the 10th Mountain Division. Despite limitations of coverage—and it’s to be noted that this is emphatically the American war, which began more than two years later than the Russian, British and French war against fascism—Ward and Burns take a wide-angle approach, considering the effects of combat on the home front and providing plenty of photographs that have not been seen dozens of times in other books; the absence of iconic Iwo Jima and Times Square shots is refreshing, the inclusion of made-for-moderns images of mayhem and death often disturbing, which is just as it should be. Interspersed throughout the text is an affecting war-at-home commentary from contemporary newsman Al McIntosh, who writes of apprehensive draftees leaving and equally apprehensive veterans returning to Wisconsin. Other voices include the scholar-veteran Paul Fussell and the great combat journalist Ernie Pyle, who writes of GIs turned from civilians into hardened warriors: “The most vivid change,” he observes, “is the casual and workshop manner in which they now talk about killing.”
Excellent—an introduction to the war for the uninitiated, and a scrapbook of sorts for those who remember it.Pub Date: Sept. 12, 2007
ISBN: 978-0-307-26283-7
Page Count: 480
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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