by Geoffrey Cowan ‧ RELEASE DATE: April 1, 1993
A revisionist study of Clarence Darrow in which Cowan, an attorney and historian (See No Evil, 1979; UCLA), concludes that the legendary lawyer—despite being acquitted in 1912 of the charge—did indeed try to bribe a jury in a criminal case. Darrow is generally remembered as an almost saintly figure who used his matchless eloquence and intellect to serve the cause of the poor and working classes, with brilliant success and often for no pay. But the truth, Cowan suggests, was more complex and interesting: Darrow was a gifted, idealistic man, devoted to the causes of underdogs but cynically disdainful of traditional concepts of truth and justice. In 1911, the attorney, already nationally famous for his defense of labor cases, was comfortably engaged in a lucrative corporate practice when he assumed the defense of J.J. McNamara, a popular leader of the Structural Iron Workers Union, and of McNamara's brother Jim: The two were indicted for murder in the fatal bombing of the Los Angeles Times building. Cowan tells how Darrow, desperate to save his clients from almost certain hanging, urged his agents to plant spies among the detectives and prosecutors and to attempt to bribe key prosecution witnesses and jurors. After one of Darrow's friends was arrested in the act of passing money to a juror, the McNamara case was settled quickly, with Jim McNamara receiving a life sentence and J.J. getting 15 years. Prosecutors then indicted Darrow for jury tampering, but, after a long and spirited defense—much of which Darrow handled himself—the jury was won over by the lawyer's eloquence and acquitted him despite considerable evidence of guilt. Cowan suggests that Darrow emerged from the experience chastened and wiser, going on to argue his greatest cases. A tense and riveting account that neatly balances courtroom drama with fascinating glimpses into Darrow's enigmatic conscience. (Eight pages of b&w photographs—not seen)
Pub Date: April 1, 1993
ISBN: 0-8129-2179-8
Page Count: 544
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
Share your opinion of this book
More by Geoffrey Cowan
BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.