An urgent crusade to keep children safe drives this colorful, fictional biography.
A single mother can’t leave her social conscience behind in Dutton’s suspenseful drama.
In this loose sequel to the author’s Turkey Shoot (2018), Anna Burmeister is in transition, raising her 5-year-old son, Ramadi, in Piraeus, Greece, while still mourning his father, Mahmoud, who was killed in the earlier book. Mahmoud isn’t as far away as she thinks, as he’s been denied entry to Paradise (“Where I find myself now is very strange and lonely, a plane I have all to myself. Perhaps this is perdition and I am doomed to isolation for eternity”). One day, Anna witnesses a young boy, Sami, being abducted. The kidnapper is freed in court by a judge, to the disgust of Anna, who has already organized the Children’s Protective League of Greater Athens in an effort to shine a spotlight on child trafficking. She recruits her hacker friend, Ottovio, to surveil the trafficker who got off, as well as his associates. Anna also assembles a motley crew of allies from media, social services, law enforcement, and her friend group to be ready to pounce on the traffickers when they make their next move. When Ramadi spies two men grabbing Naila, a young refugee girl, Anna rallies all her forces, marching on the traffickers’ hideout. Dutton has hit upon a novel method to construct a character: Anna is presented as a real person whose story has been lightly fictionalized by the author of the two books that feature her (by the time readers reach the end, they will likely have forgotten about this somewhat confusing conceit). Dutton introduces a ton of characters to keep track of, who tend to appear briefly and then vanish for dozens of pages. Waiting for an actual abduction seems to take forever, and it’s apparent to everyone but Anna which side a cop whom she believes to be corrupt is really on. The preceding novel was Mahmoud’s story—this book is Anna’s tale, and the anarchist is appropriately making up her life as she goes along, leading with her heart.
An urgent crusade to keep children safe drives this colorful, fictional biography.Pub Date: Sept. 1, 2024
ISBN: 9781771838986
Page Count: 200
Publisher: Guernica Editions
Review Posted Online: May 6, 2024
Kirkus Reviews Issue: July 15, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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