An aggressively absurd novel that embraces every opportunity for silly jokes and ridiculous gags.
A slightly surreal hospital provides the setting for Simmons’ comedic series entry about a robotic doctor.
Alan Rossum is a good-looking, sophisticated, and knowledgeable physician in his second week as an intern at Mt. Sinai Hospital in El Cemento, California.He is also a robot, a fact that’s known only to his creator, Dr. David Shamberg, and a few select others. In this second book of a series, Rossum continues his training at various obscure sections of the hospital as part of a trial to see if artificial physicians could cost-effectively replace human ones. Dr. Shamberg advises his high-tech protégé remotely while he does rounds, interacting with psychiatrist Dr.Demento, who has strange, hands-on theories on how to diagnose mental illness; a plastic surgeon at the Perfection Institute (“We’re pushing for a Constitutional amendment that gives everyone the right to look perfect”); and Dr. Rip Van Narcovitz at his Sleep Clinic. Rossum is a well-programmed machine and has a sly sense of humor, and he causes Shamberg no end of trouble with conspicuous stunts, such as challenging an olfactory expert who’s the National Smelling Bee champion. Meanwhile, the hospital is under serious threat from an anonymous organization enigmatically known as M.A.F., which has wreaked havoc by, among other things, canceling patients’ bills and increasing the catering budget. Rossum is randomly swept up into various situations, as when he’s summoned to tend to sick time travelers (“Sinai is a licensed rest area along a very specific temporal highway”). While these scenarios are used to good comic effect throughout, they also make the novel excessively episodic and lacking in momentum. The author has funneled a surfeit of creative energy into describing various gags and silly characters, rather than a well-structured caper. Rossum, for instance, solves the mystery of M.A.F. without warning or explanation. Those who appreciate humor that’s simultaneously deadpan and puerile may find themselves in stitches. Others, though, may find that the relentless, over-the-top zaniness eventually wears thin.
An aggressively absurd novel that embraces every opportunity for silly jokes and ridiculous gags.Pub Date: April 20, 2024
ISBN: 9798323514342
Page Count: 260
Publisher: Self
Review Posted Online: June 10, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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