Raucous, imaginative entertainment.
A robot doctor makes the rounds in this wacky medical fantasia.
Mount Sinai Hospital’s newest intern, Dr. Alan Rossum, is too good to be true–or at least human. He’s “fireproof, germ-retardant, buoyant, unstainable, extremely flexible and even shrink-resistant,” can diagnose most patients just by looking at them, and is already an expert in every specialty. His preternatural good looks and comforting bedside manner provoke all women to throw themselves at him, though his heart belongs to the elevator computer with the lilting loudspeaker. Best of all, in the eyes of the cost-conscious hospital management that bought him, he’s cheap, doesn’t mind odd hours and never goes on strike. But even when his leg is blown off and he must go hopping across the grounds to retrieve it, no one, aside from a ten-year-old boy in the psych ward, particularly notices that Rossum is an android. He hardly stands out at a place where the top surgeon is blind and dismembered corpses are spliced back together and reanimated. His presence does, however, arouse the wrath of the mysterious M.A.F.–either the Medical Anti-Defamation Foundation or the Mobsters Against Fysicians, according to a high-priced abbreviations consultant–a terrorist group that launches high-concept attacks on the hospital’s board. One director is permanently magnetized by an MRI machine while another is pushed into a giant photocopier and emerges with a compulsive urge to mimic everyone he encounters. Simmons, an internist and author of The Z-Papers (1976, etc.), orchestrates the hijinks with a healthy disregard for rhyme and reason. His surreal gags puts one in mind of Douglas Adams, had he written A Hitchhiker’s Guide to the Medical Center. (A stint in Mount Sinai’s extraterrestrial’s ward makes for one of Dr. Rossum’s most hilarious adventures.) The result is a pixilated comedy that’s as light as a balloon filled with laughing-gas.
Raucous, imaginative entertainment.Pub Date: March 18, 2009
ISBN: 978-1-4392-3053-4
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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