Raucous, imaginative entertainment.
A robot doctor makes the rounds in this wacky medical fantasia.
Mount Sinai Hospital’s newest intern, Dr. Alan Rossum, is too good to be true–or at least human. He’s “fireproof, germ-retardant, buoyant, unstainable, extremely flexible and even shrink-resistant,” can diagnose most patients just by looking at them, and is already an expert in every specialty. His preternatural good looks and comforting bedside manner provoke all women to throw themselves at him, though his heart belongs to the elevator computer with the lilting loudspeaker. Best of all, in the eyes of the cost-conscious hospital management that bought him, he’s cheap, doesn’t mind odd hours and never goes on strike. But even when his leg is blown off and he must go hopping across the grounds to retrieve it, no one, aside from a ten-year-old boy in the psych ward, particularly notices that Rossum is an android. He hardly stands out at a place where the top surgeon is blind and dismembered corpses are spliced back together and reanimated. His presence does, however, arouse the wrath of the mysterious M.A.F.–either the Medical Anti-Defamation Foundation or the Mobsters Against Fysicians, according to a high-priced abbreviations consultant–a terrorist group that launches high-concept attacks on the hospital’s board. One director is permanently magnetized by an MRI machine while another is pushed into a giant photocopier and emerges with a compulsive urge to mimic everyone he encounters. Simmons, an internist and author of The Z-Papers (1976, etc.), orchestrates the hijinks with a healthy disregard for rhyme and reason. His surreal gags puts one in mind of Douglas Adams, had he written A Hitchhiker’s Guide to the Medical Center. (A stint in Mount Sinai’s extraterrestrial’s ward makes for one of Dr. Rossum’s most hilarious adventures.) The result is a pixilated comedy that’s as light as a balloon filled with laughing-gas.
Raucous, imaginative entertainment.Pub Date: March 18, 2009
ISBN: 978-1-4392-3053-4
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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