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BOYS DANCING

FROM SCHOOL GYM TO THEATER STAGE

This is an enjoyable introduction to the world of dance that portrays dance as a diverse art form and capable means of...

Photo essayist Ancona introduces readers to the joys of dance through the eyes of four grade schoolers: Raptor, Ely, Logan, and Ryan.

Through the work of the National Dance Institute of New Mexico, the boys and their classmates are introduced to various styles of performance, including ballet, tap, and even stage combat. Dance requires a great deal of strength and energy, to run, leap, and lift their partners in the pas de deux. This artistic athleticism is perfectly suited to these exuberant boys. Many weeks of rehearsal culminate in a live performance involving hundreds of other schoolchildren and community members dancing pieces inspired by various works of literature. Though the boys (two kids of color and two who present as white) are the featured characters, the ensembles are clearly coeducational and racially diverse. Ancona highlights many stereotypically masculine aspects of dance (stage fighting; lifts and flips) that young people may be unaware of, likely hoping to appeal to other young men who might harbor the misconception of dance as an exclusively feminine performance art. The simple text is choppy at times; here the photographs fill in many of the missing details, though younger readers may need help to make these leaps of inference.

This is an enjoyable introduction to the world of dance that portrays dance as a diverse art form and capable means of expression for all children . (Informational picture book. 5-9)

Pub Date: April 11, 2017

ISBN: 978-0-7636-8202-6

Page Count: 48

Publisher: Candlewick

Review Posted Online: Dec. 20, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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