by George Ella Lyon ‧ RELEASE DATE: Sept. 1, 2002
Lyon (One Lucky Girl, 2000, etc.) twines parallel tales around two young people whose fathers, both single parents, keep disappearing on mysterious errands. Though Gina lives in Ohio and Jamie in a place where magic rules, both share a common concern. Jamie’s father not only insists on hunting and gathering herbs alone, but has forbidden him even to enter the nearby forest, while Gina, daughter of a divorced Shaker Heights doctor, has become aware that her father has taken to leaving the house unusually early in the morning. In alternating chapters, Gina and Jamie slowly nerve themselves to follow their parents, and make shocking discoveries: Gina’s meets a woman (though not for what she thinks), and Jamie’s becomes a huge, white bear. As it turns out, both seemingly strong, inflexible men are waging desperate struggles with concealed guilt and grief—but once their secrets are out, both show a heartening ability to accept, even embrace, changes in themselves and their lives. Gina and Jamie do make a brief climactic connection across universes, but the central figures here are the two men, the central relationships the ones between parents and children. The metaphorical currents lie close enough to the surface for reflective younger readers to perceive, but unlike Lowry’s The Giver (1993) and its sequel Gathering Blue (2000) they don’t overwhelm the characters or the plot. Rich, subtle storytelling. (Fiction. 11-13)
Pub Date: Sept. 1, 2002
ISBN: 0-689-84370-4
Page Count: 144
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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