Charming critters in collage and poetry for people of all ages.
Not your standard children’s poetry book, this illustrated collection offers sounds and scenes to savor for ages 3 and up.
Held (After Shakespeare: Selected Sonnets, 2011, etc.) and Kim (Hen Hears Gossip, 2010, etc.) team up for the first in a series that portrays the wild animals that a child might see close to home. The 13 poems each feature an animal typically found near urban, suburban or rural settings—squirrels, rabbits, groundhogs, bats, earthworms—and at least one digital collage or drawn image of the critter. The work invites discussion and reflection that can broaden the experience for children and avoid boredom for parents rereading for the umpteenth time. In language choices, Held offers material not usually considered the territory of youngsters—portmanteau words (“racku” for a raccoon haiku), near puns (“squirreling dervishes”), upper-level vocabulary (demise, omnivore) and literary references (Brer Rabbit’s race with Brer Terrapin). Although he has shortened lines from his adult verse, Held refuses to be held to simple rhymes for kiddies, providing readers and listeners with an assortment of sounds and sound patterns, including eye rhyme, alliteration and homophones. The ideas of the poems also engage; Held presents the metaphor of a deer as a weed, “diminished to a pest” by its proximity to lawns and yards, but not all of the content is this insightful or engaging. Kim keeps up: beyond the single, easily recognized animal, the supersized images invite readers to explore. Such exploration may lead to discoveries of partially hidden animals, interesting combinations of drawing and collage, or surprising choices of collage materials.
Charming critters in collage and poetry for people of all ages.Pub Date: Dec. 10, 2011
ISBN: 978-0916754259
Page Count: 32
Publisher: Filsinger & Co.
Review Posted Online: Oct. 25, 2012
Kirkus Reviews Issue: Dec. 1, 2012
Review Program: Kirkus Indie
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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