Johnson, author of the acclaimed memoir All Boys Aren’t Blue (2020), presents profiles of 12 notable queer Black people from the Harlem Renaissance.
This work introduces readers to figures including Langston Hughes, Ma Rainey, Zora Neale Hurston, and Countee Cullen. Johnson laments growing up learning about “white heterosexual men” who were presented as “our saviors.” They explain that “as a Black queer child, I had the right to know that Black queer people existed before me.…They paved the road for me to walk on. Yet that road was hidden from me and so many others.” This book shines a light on Black figures from “one of the queerest historical periods,” honoring the legacies of these musicians, artists, and authors and offering their lives as representation for the present generation. Throughout the biographies, mostly about five pages in length, Johnson weaves their own personal narrative, drawing parallels between the historical figures and society today. These elements frequently contribute additional layers of depth and relatability, as, for example, with their description of the impact of Josephine Baker’s internalized homophobia on her gay son and Claude McKay’s rejection of elitism within Black nationalism. Johnson’s own poems are interspersed throughout, further illustrating their passion for this history. Double-page spreads featuring Palmer’s vibrantly colored portraits open each narrative, adding further life to the subjects.
A sincere and beautifully illustrated ode to queer Black figures who shaped the Harlem Renaissance.
(sources/recommended reading) (Nonfiction. 14-18)