A rip-roaring fictional retelling of the story of black bare-knuckle prizefighter Tom Molineaux, an American freed slave who challenged England’s beloved heavyweight champion Tom Cribb in the early years of the 19th century. The same fractious energy that characterizes Fraser’s popular Flashman novels courses throughout this wonderfully flavorful tale, which, following a Prologue set in 1818 (Molineaux’s last year), presents the testimony of various “witnesses” to the fighter’s life and career as elicited by an unnamed “industrious inquirer.” The most voluble talkers are Thomas “Paddington” Jones and mulatto Bill Richmond, the “retired pugilists” who train and manage Tom; noted boxing journalist Pierce Egan (whose hyperbolic prose is expertly re-created); and especially Captain Buckley “Buck” Flashman (father of the better-known Harry), a good-natured rogue who charms all and sundry with mellifluous harangues about the exhilarating horrors of the Napoleonic Wars and the merry licentiousness of the good old days—and who’s equally capable of supervising Tom’s career and of betraying “his” fighter for a fast purse. Through their and several others’ memories of Tom’s progress up from slavery through conquest and celebrity to dissolution and untimely death, Fraser builds a stunning picture of his eponymous hero as a magnificent athlete destroyed by the temptations of fame, battling gamely even when “woozy wi’ daffy and collywobbles and half the strength drained out o’ him by a night’s fornicating”; and, even more impressively, of a Regency England characterized by “churches half-empty and hells packed full, fashion and frolic the occupations, and sport the religion.” It all races by so quickly that there’s scarcely time to savor the glorious period argot (much of it explained in a hilarious and helpful Glossary). You’d have to be dicked in the nob to dislike this book. It’s bloody marvelous.
Pub Date: April 1, 1998
ISBN: 0-7867-0553-1
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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