Fans of Fraser know what they’re in for—and they’ll have a grand romp.
The rowdy, bawdy adventures of a charming cad, adept with both heart-slicing blade and heart-melting words.
British author Fraser (1925–2008), the phenomenally popular creator of Harry Flashman (Flashman on the March, 2005, etc.), really has only one character in his armory, the rogue whom men admire and women faint over, even as they recognize that he’s the sort mummy warned them against. In this instance, the rogue in question is a light-fingered reaver, a sort of junior highwayman out on the frontier of Scotland and England, who finds his merry days complicated by regicidal conspiracy, the grand larceny of glimmering jewels and a rather luscious gentlewoman named, lest the point be missed, Lady Godiva. Hijinks, japes, jests and jousts ensue. The specifics are beside the point, for a Fraser novel is an excuse to indulge in goofery. This book, as the narrator says, presents “an all-star cast of steely-eyed heroes, noble ladies, unspeakable villains, gorgeous wantons, corrupt creeps, maniacs, freebooters, freeloaders, and hordes of colourful extras, in a variety of Great Locations.” He left out the Spanish torturers, twisting their waxed mustachios in evil glee, and a few discards from the cast of Braveheart, but Fraser’s catalog about covers it. As if this were all not enough, this, like any Fraser novel, is a battlefield littered with dead puns (of two hanged cows, for instance, “ye couldnae tell one frae the udder”), obvious names (“the reigning Scottish Traitor of the Year, Lord Anguish”) and tattered bodices (“where petrified soldiery had stood, there were now forty voluptuous dancing girls in gauzy trousers and flimsy veils, undulating in beauteous bewilderment”).
Fans of Fraser know what they’re in for—and they’ll have a grand romp.Pub Date: April 24, 2008
ISBN: 978-0-307-26810-5
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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