by George Monbiot & Peter Hutchison ‧ RELEASE DATE: June 4, 2024
A vigorous analysis of a pernicious ideology.
An investigation of the perils of neoliberalism.
British journalist and environmental activist Monbiot and filmmaker Hutchison mount a damning, persuasive critique of neoliberalism, an ideology that exalts capitalism and greed. A term coined in 1938 based on the writings of economists Friedrich Hayek and Ludwig von Mises, and enthusiastically popularized by Milton Friedman, neoliberalism, the authors assert, has caused or contributed to economic inequality; “diseases of despair” such as suicides and overdoses; the erosion of the tax base, resulting in a lack of public funding for health, education, and infrastructure; and the advent of demagogues, such as Viktor Orbán, Narendra Modi, Donald Trump, Boris Johnson, and Jair Bolsonaro. These “deeply flawed human beings with oversized egos and pathological insecurities” have been enabled by neoliberal ideologues who promote the mantra that competition, deregulation, and privatization will lead to wealth that will enrich everyone. However, the authors warn, freedom from regulation benefits only the very wealthy, leading to the exploitation and endangerment of workers, environmental damage, and the kinds of “exotic financial instruments” that caused the financial crisis of 2008. “As a general rule,” write the authors, “privatization is legalized theft from the public realm.” Instead of taking responsibility for the endemic problems they cause, neoliberals blame ordinary people for crises. They promote the idea that personal changes can be solutions, urging citizens to recycle while their enterprises loot natural resources. Neoliberalism has coopted both political parties, established influential think tanks, and found supporters in the press. The authors’ argument against neoliberalism includes proposals for change: Campaign finance reform may draw new political actors; local efforts can serve as models for “participatory, deliberative democracy.” “Once roughly 25 percent of the population is committed to change,” they contend, the rest of society will quickly join them.
A vigorous analysis of a pernicious ideology.Pub Date: June 4, 2024
ISBN: 9780593735152
Page Count: 224
Publisher: Crown
Review Posted Online: March 29, 2024
Kirkus Reviews Issue: May 1, 2024
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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