A thought-provoking study in civics, history, and the decline and fall of self-government.
Can we save ourselves from ourselves in America’s “cold civil war”?
As New Yorker contributor and National Book Award winner Packer notes in this sharp and concise analysis, there’s one good thing to say about the current pandemic: With its arrival, “it became impossible to pass through the world in the normal bovine manner.” Of course, it also revealed massive cracks in the system and amplified a rift in which people either scream at each other or maintain a polite silence, an avoidance that “solves nothing” and indeed, by Packer’s account, is “part of the collapse.” Something is badly amiss in what used to be thought of as the last best hope in the world. Instead, we are overrun with instability, contending tribes, and useless politicians. Into this chaos stepped Donald Trump, who failed to become the dictator he so obviously wished to be only by virtue of “his own ineptitude, along with our creaky institutions and the remaining democratic faith of the American people.” Even so, Packer charges, we’re all responsible for Trump, in part because there are yawning gulfs among numerous visions of America. There’s the “Free America” of the libertarians, so susceptible to demagoguery; the “Smart America” of the progressives, which leaves blue-collar workers in the dust; the “Real America,” a bastion of racism, ignorance, and resentment; and the “Just America,” which “forces us to see the straight line that runs from slavery and segregation to the second-class life so many Black Americans live today.” In all of these, there are the ingredients of a fifth vision: “Equal America,” which involves “extending the New Deal to Americans in more areas of their lives,” from affordable and universal health care to a living minimum wage and beyond. It’s a project that “asks us to put more faith in ourselves and one another than we can bear,” but it surely beats where we are now.
A thought-provoking study in civics, history, and the decline and fall of self-government.Pub Date: June 15, 2021
ISBN: 978-0-374-60366-3
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 29, 2021
Kirkus Reviews Issue: April 15, 2021
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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