THE MARTINI SHOT

Seven stories and a novella from the undisputed king of D.C. noir.

Pelecanos, who made his mark as a guide to the lower depths of the nation’s capital and a writer/producer of the acclaimed TV series The Wire, has been as resourceful and inventive as his heroes, and this collection showcases his versatility. In the first and best of the stories, “The Confidential Informant,” a street-wise kid’s scheme to claim a $1,000 reward, set forth in scorching, slangy first-person, backfires fatally. “Chosen” chronicles the very mixed fortunes of an adoptive family whose youngest child is Spero Lucas (The Double, 2013, etc.). “String Music” toggles back and forth between Tonio Harris, who's struggling to survive against an enemy he impulsively insulted, and Sgt. Peters, who’s struggling just as hard to protect him. “When You’re Hungry” shows a kid who escaped an impoverished background to become a crack insurance investigator sent to Brazil, where an alleged murder victim has been sighted, that there’s always somebody hungrier than him. A kid who’s dealing acquiesces in his childhood friend’s murder but still feels bad for the friend’s mother in “Miss Mary’s Room.” The narrator of “Plastic Paddy” recalls the dangers and dead ends he encountered in smoking dope with a faux-Irish friend destined for a “long fall.” In “The Dead Their Eyes Implore Us,” a young man who works under Pelecanos regular Nick Stefanos avenges a friend who tried to organize his fellow hotel employees, then wonders whether another employee who saw him on the scene will turn him in. The only real disappointment is the title novella, in which a TV writer/producer who sounds a lot like the author tracks down the men who killed his gaffer, an amiable doper, and sets them up for condign justice.

The other stories all strike sparks as reminiscences of troubled youth recalled from the perspective of adult experience—or from beyond the grave.