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I DREAM WITH OPEN EYES

A MEMOIR ABOUT REIMAGINING HOME

A dark, brooding, and highly literate meditation.

A chronicle of a family’s fraught decision to leave America.

In 2016, shock and dismay over Donald Trump’s election incited for Prochnik several years of intense deliberation about whether to leave the U.S. with his wife and son. Although Trump “was indubitably the match to the fuse” and the “symbol that signified an actual, irreclaimable loss,” his discontent had begun earlier and had deep roots, which he explores in an erudite examination of heritage, home, the meaning of his life’s work, and his place in the world. Living in upscale Fort Greene, Brooklyn, the author became disillusioned both with the fraying social fabric and “the self-involvement” and “entitlement” that he saw around him. Furthermore, his job was unsatisfying. For nearly 20 years, he had worked at a public relations agency, promoting “lies and deceit. I allowed myself to become the voice of people I despised, or who had money enough not to have to speak for themselves. I sold the aspect of myself I cared for most deeply.” He had long felt torn between two strands of his intellectual inheritance: one, the “idealistic faith in human nature” held by psychologist and neurologist James Jackson Putnam, the author’s great-grandfather; the other, “the tidal tug of Freud’s dark, worldly view which despaired of humanity en masse and its respective experiments in civilization.” His mother’s family had come over on the Mayflower, linking him “to the country’s founding fantasy: the creation of a holy nation in the wilderness.” His father’s prosperous Viennese Jewish family “had barely escaped the Nazis.” From Titian to the surrealists, Stefan Zweig to Walter Benjamin, H.D. to Elizabeth Bishop, Prochnik draws on art, philosophy, literature, and heavily on Freud as he contemplates his “longing to move to a different moment in history” and to change his life—and his son’s—“instead of just being forced to submit to the ways the world was changing so alarmingly around us.”

A dark, brooding, and highly literate meditation.

Pub Date: Sept. 27, 2022

ISBN: 978-1-64009-547-2

Page Count: 288

Publisher: Counterpoint

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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