Intelligent, reflective and deeply sad portrait of a man tragically cut adrift by history.
Stefan Zweig (1881–1942) stands in for Europe’s uprooted intellectuals in this elegiac portrait by Prochnik (In Pursuit of Silence: Listening for Meaning in a World of Noise, 2010, etc.).
Zweig was one of the most famous and successful authors in the world in the 1920s and early ’30s, best known for his novellas and breezy biographies of historical figures like Erasmus and Marie Antoinette. His fellow Viennese intellectuals might have slightly disdained his wild popularity—except that everyone loved this slight, dapper man with his “genius for friendship.” When the Nazis came to power, Zweig was in a much better position that most, with plenty of money to fund his travels as he roamed from Switzerland to southern France to England and the United States in search of a refuge from the fascist madness. His relative comfort, however, could not make up for the trauma of being ejected from the culture that he, like many other German-speaking Jews, had believed belonged to them as well. “The world we loved has gone beyond recall,” he gloomily told a fellow refugee in Manhattan in 1941. “We shall be homeless in all countries. We have no present and no future.” Prochnik, himself a polymath writer with European Jewish roots, was prompted by the story of his own family, which also fled Nazi-occupied Vienna, to investigate Zweig’s experience of exile. Unable to envision himself settled in America despite four stays in New York, Zweig finally moved to a small village in Brazil in 1941, hoping for peace in which to write. Prochnik sensitively considers his final books—the poignant memoir The World of Yesterday (1942) and Brazil: Land of the Future (1941), which determinedly celebrated his adopted country’s embrace of “the humanist values his native Europe had so wretchedly betrayed.” In the end, accumulating losses and dwindling hopes of a better tomorrow drove Zweig to commit suicide not long after his 60th birthday.
Intelligent, reflective and deeply sad portrait of a man tragically cut adrift by history.Pub Date: May 6, 2014
ISBN: 978-1-59051-612-6
Page Count: 368
Publisher: Other Press
Review Posted Online: Feb. 12, 2014
Kirkus Reviews Issue: March 1, 2014
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PROFILES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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