A blockbuster portrayal of the zombie apocalypse and a fitting tribute to the genre’s imaginative progenitor.
The last testament of the legendary filmmaker is a sprawling novel about the zombie apocalypse that dwarfs even his classic movie cycle.
Though this long-simmering novel was unfinished when Romero died in 2017, his estate turned its completion over to Kraus, an adept novelist and collaborator with Guillermo Del Toro. The result is a satisfying, terrifying chronicle of the zombie crisis that includes explosive set pieces and moving character beats in equal measure. Just before Halloween, the first cadaver appears in the lab of San Diego medical examiners Luis Acocella and Charlie Rutkowski, asking the pair “Shall we dance?” even as Charlie holds his heart in her hands. In rural Missouri, teenager Greer Morgan soon learns society’s rules have been drastically altered by the rise of the dead. The growing severity of the crisis is seen at a national television studio in Atlanta, where conceited anchor Chuck Corso finds the danger growing closer and closer. On the aircraft carrier USS Olympia, helmsman Karl Nishimura and pilot Jenny Pagán join forces when they’re trapped between the resurrected dead and the zealous chaplain convinced God wants him to lead a death cult. These harrowing survival stories are marked by cinematic spectacles—a bloody escape by jet fighter, a school shooting, and fragments told from the zombies’ point of view are among the memorable episodes—but Kraus injects a dramatic dose of human pathos into the mix as characters bond, fight for survival, and frequently die so that others may live. By the time these disparate characters converge in the last act after a significant time jump, readers will know them so well that each loss takes on more emotional weight. Less soapy than The Walking Dead and less inventive than Max Brooks’ World War Z, it’s still a spectacular horror epic laden with Romero’s signature shocks and censures of societal ills.
A blockbuster portrayal of the zombie apocalypse and a fitting tribute to the genre’s imaginative progenitor.Pub Date: Aug. 4, 2020
ISBN: 978-1-250-30512-1
Page Count: 656
Publisher: Tor
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
A page-turning thriller that combines a touch of magic with deep love for the natural world.
An epic battle between good and evil with a mystic twist.
When she was 10, Vida visited a fortuneteller who presented her with two broadly different futures and prophesied that she’d be “a champion of the natural world and all its beauty.” Now Vida, raised by her late great-uncle Ogden in a remote cabin surround by the beauties of nature, has no fear of wild animals, including the wolves led by her friend Lupo. Taught by Ogden, Vida, who has a special talent for dredging up gemstones, makes a living by means of a placer mine in a nearby river on government land. Her lover, school principal and activist José Nochelobo, dies in what seems to be an accident but turns out to have been murder. Terrence Boschvark, a wealthy psychopath who’ll stop at nothing to develop some nearby land, is behind the evil doings near her home. Vida, certain that someone is watching her, patiently waits for him to show himself. When he does, he turns out to be deputy sheriff Nash Deacon, who accuses her of killing his cousin Belden Bead and demands that she surrender to him body and soul. Deacon plays a game of sexual terrorism with Vida, who watched his drug-dealing cousin die of a self-inflicted gunshot wound and buried him and his car with her uncle’s backhoe. Now she plans for Deacon to be next. Once she kills and buries Deacon and his car, Vida becomes the subject of a manhunt by Boschvark’s remorseless killers. The mystical forces within her lead her to a place of hope. With some help from two native people and a tracker hired to find her, she fights for her life.
A page-turning thriller that combines a touch of magic with deep love for the natural world.Pub Date: Sept. 24, 2024
ISBN: 9781662500510
Page Count: 400
Publisher: Thomas & Mercer
Review Posted Online: Aug. 29, 2024
Kirkus Reviews Issue: Oct. 1, 2024
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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