Two intriguing 1930s novellas, fine examples of a then-popular genre: literary Pan-Africanism. When Italy invaded Ethiopia in 1935, racial patriotism ran high in the US, and American blacks rallied behind the ancient African kingdom. These two stories combine propaganda and entertainment; while they read like straightforward murder mysteries, they demonstrate the commitment of essayist, journalist, and satirist Schuyler (18851977) to the outcome of Ethiopia's struggle. An influential writer during the Harlem Renaissance, Schuyler rejected the idea of a black aesthetic and criticized the movement as ``The Negro-Art Hokum,'' yet many of his articles and editorials for the influential Pittsburgh Courier are now considered classics of African-American journalism. As editor Hill (History/UCLA) points out in his evocative foreword, Schuyler had the creativity to convey his ideas to a general audience, both in journalism and—in the case of these novellas and two other stories recently reissued under the title Black Empire (1991)—in pulp fiction. The first work here, ``The Ethiopian Murder Mystery,'' opens with the discovery of a dead Ethiopian prince in a Sugar Hill apartment. The police charge a prominent Harlem socialite, who admits to being with him minutes before the coroner's estimated time of death, but insists he was still breathing when she left. A young newspaper reporter convinced of her innocence does some inspired sleuthing and unravels a conspiracy involving a death ray with which the Ethiopians could annihilate the invading Italians. In the second tale, ``Revolt in Ethiopia,'' a rich American interested only in the good life abroad falls in love with an Ethiopian princess seeking to procure money to support her country's freedom fighters. When the Italians kill her bodyguard, the American comes to her rescue and joins her on a perilous journey to retrieve precious jewels from an ancient mountain sect in the hills of Ethiopia. Proof that art and politics do mix.
Pub Date: Dec. 5, 1994
ISBN: 1-55553-204-7
Page Count: 229
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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