Two intriguing 1930s novellas, fine examples of a then-popular genre: literary Pan-Africanism. When Italy invaded Ethiopia in 1935, racial patriotism ran high in the US, and American blacks rallied behind the ancient African kingdom. These two stories combine propaganda and entertainment; while they read like straightforward murder mysteries, they demonstrate the commitment of essayist, journalist, and satirist Schuyler (18851977) to the outcome of Ethiopia's struggle. An influential writer during the Harlem Renaissance, Schuyler rejected the idea of a black aesthetic and criticized the movement as ``The Negro-Art Hokum,'' yet many of his articles and editorials for the influential Pittsburgh Courier are now considered classics of African-American journalism. As editor Hill (History/UCLA) points out in his evocative foreword, Schuyler had the creativity to convey his ideas to a general audience, both in journalism and—in the case of these novellas and two other stories recently reissued under the title Black Empire (1991)—in pulp fiction. The first work here, ``The Ethiopian Murder Mystery,'' opens with the discovery of a dead Ethiopian prince in a Sugar Hill apartment. The police charge a prominent Harlem socialite, who admits to being with him minutes before the coroner's estimated time of death, but insists he was still breathing when she left. A young newspaper reporter convinced of her innocence does some inspired sleuthing and unravels a conspiracy involving a death ray with which the Ethiopians could annihilate the invading Italians. In the second tale, ``Revolt in Ethiopia,'' a rich American interested only in the good life abroad falls in love with an Ethiopian princess seeking to procure money to support her country's freedom fighters. When the Italians kill her bodyguard, the American comes to her rescue and joins her on a perilous journey to retrieve precious jewels from an ancient mountain sect in the hills of Ethiopia. Proof that art and politics do mix.
Pub Date: Dec. 5, 1994
ISBN: 1-55553-204-7
Page Count: 229
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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