A strong appetite for Southern shtick (if not for gruel itself) might enhance readers’ appreciation for the down-home whimsy...
From South Carolina writer Singleton (Novel, 2005, etc.), a collection of 19 reprinted stories, some of them suffering from a slight case of the cutes.
The fictional hamlet of Gruel is one of those towns that time forgot, though it attempts various scams to attract tourists and boasts Victorian houses that speculators can buy for about five percent of what they would cost elsewhere. While some characters reappear from one story to another and keep showing up at the same old places, particularly Gruel BBQ and Roughhouse Billiards, there’s a surprising amount of mobility in this South Carolina town. Strangers find themselves drawn here for inexplicable reasons (or Victorian houses), while natives who left and vowed never to return somehow make their way back. Many of the characters have more education than the stereotypical small-town rube; a surprising number either work or have worked in academe (Singleton is a writing teacher). Thus, for every story like “Runt,” which depicts Sister the Wonder Dog and her record-setting litter of 24, there’s one like “The Novels of Raymond Carver,” which involves a made-up course on the noted short-story writer’s made-up book-length fiction. The guy who sells gas masks as the perfect Valentine’s Day present to protect the one you love in “Snipers” is balanced by the heart-attack victim who cuts a swathe through his neighbors’ backyards on a power lawnmower in “John Cheever, Rest in Peace,” a sardonic riff on “The Swimmer.” Perhaps the best story here is “Soldiers in Gruel,” which features an overeducated Northern woman who brings her brand of conceptual art to the annual car show and finds a deeper meaning than her schooling could ever have provided.
A strong appetite for Southern shtick (if not for gruel itself) might enhance readers’ appreciation for the down-home whimsy of these tales.Pub Date: June 5, 2006
ISBN: 0-15-603061-6
Page Count: 320
Publisher: Harvest/Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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