A Southern original adds to his gallery of Southern originals.
Legendary South Carolina absurdist Singleton weighs in with another rollicking collection—17 quick-paced, chatty, funny stories.
Singleton’s protagonists—often overeducated, tempest-tossed white guys working bizarre jobs that are “nonprofit” in one way or several—have often been called “eccentrics,” but one joy of inhabiting his satiric vision is the constantly reoccurring thought that despite their flaws (impulsiveness, a predilection for drink, a little larceny in the heart, a sense of justice that can get out of hand), the South might be better off if these guys were nearer the middle of it. In “Dispensers,” a man who collects and saws down and sells graffitied old wooden desktops stops off with his wife at a Georgia diner, where they meet and have their faith restored a little by the grizzled old men of VAGINA: Veterans Against Guns in North America. “Echoes” features doting but hapless grandfather Big Les Tolbert, who takes his way-too-worldly, cyber-dependent grandson on a quixotic, impromptu, and doomed expedition to see the ocean at Myrtle Beach. In “Protecting Witnesses and Witnessing Protection,” a husband—detoxing in spouse-forced exile in the boondocks—wakes to find a vintage tractor in his driveway...which turns out to provide a surprising path to a community of fellow sufferers. Again and again, Singleton focuses on the accidental burdens conferred on us by names—whether of people, businesses, do-gooding organizations, professions—and shows us characters doing a frantic dance around their sense that there’s a destiny in what you’re called. This turns out to be a great way of dramatizing, as Singleton wants to here, the effort well-meaning people expend to make peace with who and what and where they are. The stories don’t always have destinations, but one of the fundamental laws of Singleton’s invented world is that destinations are way overrated. Nobody complains that a carnival isn’t tautly plotted; you just plunk down your dime and wait for wonders.
A Southern original adds to his gallery of Southern originals.Pub Date: Aug. 15, 2023
ISBN: 9781950539864
Page Count: 247
Publisher: Dzanc
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
Haig’s positive message will keep his fans happy.
A British widow travels to Ibiza and learns that it’s never too late to have a happy life.
In a world that seems to be getting more unstable by the moment, Haig’s novels are a steady ship in rough seas, offering a much-needed positive message. In works like the bestselling The Midnight Library (2020), he reminds us that finding out what you truly love and where you belong in the universe are the foundations of building a better existence. His latest book continues this upbeat messaging, albeit in a somewhat repetitive and facile way. Retired British schoolteacher Grace Winters discovers that an old acquaintance has died and left her a ramshackle home in Ibiza. A widow who lost her only child years earlier, Grace is at first reluctant to visit the house, because, at 72, she more or less believes her chance for happiness is over—but when she rouses herself to travel to the island, she discovers the opposite is true. A mystery surrounds her friend’s death involving a roguish islander, his activist daughter, an internationally famous DJ, and a strange glow in the sea that acts as a powerful life force and upends Grace’s ideas of how the cosmos works. Framed as a response to a former student’s email, the narrative follows Grace’s journey from skeptic (she was a math teacher, after all) to believer in the possibility of magic as she learns to move on from the past. Her transformation is the book’s main conflict, aside from a protest against an evil developer intent on destroying Ibiza’s natural beauty. The outcome is never in doubt, and though the story often feels stretched to the limit—this novel could have easily been a novella—the author’s insistence on the power of connection to change lives comes through loud and clear.
Haig’s positive message will keep his fans happy.Pub Date: Sept. 3, 2024
ISBN: 9780593489277
Page Count: 368
Publisher: Viking
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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