A retrospective look, courtesy of a million patented Higgins conversations, at 40 years of corrupt Massachusetts politics. The day of judgment has come for Daniel Hilliard. Even though a flamboyant series of marital infidelities drove him out of the state senate in 1984—he's been cooling his heels ever since as president of Hampton Pond Community College—prosecutors think they've found a way to nail him for the gentlemanly bribes and kickbacks he made a way of life for 25 years. Unlikable Arnie Bissell plans to give Hilliard's right-hand man, district court clerk Ambrose Merrion, immunity so he'll have to testify about the Fourman Realty Trust, a sweetheart deal Merrion inherited a share of from his predecessor, Larry Lane, a virtuoso wheeler- dealer whose little economies with public money have grown enough (inflation and compound interest having worked their miracles) for Merrion to keep Hilliard in the toney, and actionably expensive, Grey Hills Country Club long past his retirement from the senate—and past the date when the statute of limitations has run out on his other alleged defalcations. Will Merrion be forced to drag years of good-natured mischief into the open by rolling over on his best friend? Higgins stretches this short-story idea to the length of a Victorian monstrosity by the simple expedient of reporting exhaustively on every person who's ever swum in Hilliard's waters. Subsidiary characters—e.g., the family of Julian Sanderson, the golf pro who urges Hilliard through the mysteries of Grey Hills—sprout as alarmingly as kudzu, till even Merrion wonders about Julian: ``Why is he on this planet? What the hell is he for?'' With the sociological grasp of Trollope and Thackeray, but with a distinctly postmodern sense of architecture—he circles around subplots long after you've forgotten why they ever came up—Higgins (Sandra Nichols Found Dead, 1996, etc.) has produced his most ambitious, and infuriating, book in years.
Pub Date: Sept. 1, 1997
ISBN: 0-8050-4815-4
Page Count: 448
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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