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SWAN BOATS AT FOUR

Taking a holiday from his usual diet of lowlife Boston cops and crooks (Bomber's Law, 1993, etc.), Higgins books passage on the luxury liner America, where the upscale cast talks exactly like the downscale Higgins regulars back home. Racked with anxiety over the federal examiners baying at his recession-ridden Pilot Hill Bank and Trust, David Carroll allows his wife Frances to sweep him off for a week in London and on the recommissioned America's ``re-maiden voyage,'' as America staffer (and David's former mistress) Melissa Murray describes it. Frances knows all about Melissa, and thinks she's going into the trip with her eyes wide open; but she doesn't know that a confidence man aboard the ship, presumably retired attorney Burton Rutledge, has picked her and her husband as marks. Promptly at dinner the first night out, Rutledge presents himself at the Carrolls' table; the action thereafter, as you'd expect from Higgins, unfolds almost entirely over a series of mealtime conversations among the Carrolls and Rutledge—a virtuoso series of trios eventually reduced to duets by the Melissa'd absence of David. Even among Higgins's gallery of talkers, Rutledge is one silver-tongued sharpie: His ceremonious tales of his old acquaintance, dilettante Eldred Motley, and the vicissitudes of Amy Neville Motley Rutledge, their mutual wife, are worth the transatlantic tariff. Rutledge is so peerlessly garrulous, in fact, that the drama of the tale arises, † la Exterminating Angel, from your wondering whether the Carrolls are going to make it through their next rich dessert, or all the way to New York, without hearing Rutledge's pitch, or whether they'll end up eternally trapped, like the Flying Dutchman, mid-ocean and pre- fleecing. Have no fear: Higgins, obviously seeing the Statue of Liberty looming on the horizon, settles everything with a few brisk strokes, clearing the way for a peremptory ending but a satisfyingly bleak final tableau.

Pub Date: June 1, 1995

ISBN: 0-8050-3077-8

Page Count: 320

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1995

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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