by Georgia Jeffries ‧ RELEASE DATE: Oct. 22, 2024
An often-gripping story of family dysfunction and murder.
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In Jeffries’ thriller, a woman is inspired by her ill father’s cryptic comments to investigate the death of her aunt.
In 1996, accountant Joanna Giordano devotedly tends to her aging, cranky father, Owen, who has Parkinson’s disease and struggles under a “bitter weight of resentment and regret” that he’s unable to explain to others. After Owen’s half brother, Horatio Billingham, dies, he must travel with Joanna from Cathedral, California, to his hometown of Pontiac, Illinois, for the reading of the will. Horatio was estranged from his son, Tazewell, so Owen becomes the sole heir of his property. While in Pontiac,Owen tells Joanna that his beloved, older half sister, Aldine Younger, was murdered at the age of 20 by a man named Asher Bentley, and that Owen’s mother believed that Bentley was hired by his uncle, Frederick Heinemann, who wanted Aldine’s considerable inheritance. Shortly after revealing what appears to be a shocking family secret, Owen has an episode that causes him to fade into a haze of unintelligibility and is hospitalized. This chilling tale was inspired by the true story of the author’s own aunt, also named Aldine Younger and is hauntingly conveyed by author Jeffries. Throughout the narrative, Joanna desperately tries to unravel the mystery of her relative’s death. She hopes to find justice, as well as a means to help her troubled father: “All Joanna knew was that a dead woman took her father captive and she had no idea how to bring him back to her side where he belonged.” Meanwhile, Tazewell tracks her progress and has nefarious designs on Owen’s new property. This is an unusual story that’s sometimes quite tangled and incredibly dark in tone, but it’s told with great poignancy by Jeffries, who writes that she aims to use the “liberating power of fiction” to revive a real-life tale. Her prose is informal in tone but agile, and she artfully crafts an atmosphere of dread. Overall, it’s a grim narrative, but an affecting and engaging one.
An often-gripping story of family dysfunction and murder.Pub Date: Oct. 22, 2024
ISBN: 9781961302617
Page Count: 282
Publisher: Mission Point Press
Review Posted Online: Oct. 4, 2024
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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