by Georgia Pritchett ; illustrated by Jamie Littler ‧ RELEASE DATE: Nov. 3, 2015
A breezy mixture of low humor and high (if brief) suspense.
The arrival next door of a villain bent on destroying the world adds further worries to a neurotic lad’s already long list.
Wilf is initially inclined to discount new neighbor Alan’s self-identification as “an evil lunatic.” He is forced to change his mind after rescuing little sister Dot from being loaded into a bazooka, getting a gander at Alan’s high-tech underground lair, and hearing him trumpet a scheme to blast the world with a Powerful All-Nuclear Terror System (“Just wait till I unleash the true horror of my PANTS!”). Thumb firmly on the laffs button, Pritchett, a TV comedy writer, pitches her “staggerblasted” young worrier into one “kerfuffle” after another. The feckless but monomaniacal malefactor repeatedly tries to unleash widespread destruction—only to be foiled by either a slacker minion or, twice, something sticky shoved down the barrel of his Big Gun Thingy. Along with typographical high jinks, the tale features both plenty of comically melodramatic cartoon illustrations and silly drawings that Wilf makes to defuse his many anxieties. By the end, said hang-ups have lost much of their old force. Alan may be fitted with a wife and other appurtenances of adulthood, but he’s really a tantrum-prone 2-year-old, and readers will easily see through the disguise.
A breezy mixture of low humor and high (if brief) suspense. (Farce. 9-11)Pub Date: Nov. 3, 2015
ISBN: 978-1-62365-822-9
Page Count: 192
Publisher: Mobius
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Georgia Pritchett ; illustrated by Jamie Littler
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by Georgia Pritchett ; illustrated by Jamie Littler
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Chad Morris & Shelly Brown
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by Chad Morris & Shelly Brown ; illustrated by Garth Bruner
BOOK REVIEW
by Chad Morris & Shelly Brown
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