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THE ORIGINS OF BENJAMIN HACKETT

Tackles a serious theme of forlornness with sincerity, buoyancy, and wit.

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O’Connor’s debut is a coming-of-age tale of an Irish teen in 1996 who, on learning he’s adopted, plans to track down his birth parents.

Cork, Ireland, native Benjamin Hackett celebrates his 18th birthday with “a stack of pints at the local pub.” Awakening the next morning a year older and hung over, Ben returns home to a shock: his parents have decided to tell him he was adopted. He’s understandably upset and wants to find the parents he believes abandoned him and “punch them in their noses.” Enlisting his pal JJ for companionship and JJ’s Fiat 127, Ben heads to the Barnamire Convent in Cork, where he was born. Unfortunately, mere yards away from the convent, the two friends are mugged by a peculiar (but armed) fellow who insists they call him Apache. The nuns, meanwhile, are less than helpful in providing details on Ben’s adoption, and police show up to arrest Ben and JJ for trespassing. Getting the info on his birth parents expeditiously may require Ben to hobnob with criminal sorts and do a few things he’ll surely regret later. All for a potential reunion that shows no indication of being a happy one. O’Connor forgoes sentiment early on: Ben describes the unknown couple who birthed him as “rancid parents.” But what could have been a dark, dreary tale is sweetened by a surprising amount of humor. JJ, for one, offsets Ben’s ever-present ire with drollery; seeing a “Trespassers will die” sign, he notes, “That seems fairly unambiguous.” There are, however, more sober moments; Ben does favors in exchange for help—often something illicit that could put his life or others’ in peril. O’Connor’s lilting prose beautifies his tale, like a house that “looked nothing more than a teensy white dot high against the rocks with seagulls squabbling over which one of them was due a perch on her chimneypot.”

Tackles a serious theme of forlornness with sincerity, buoyancy, and wit.

Pub Date: Feb. 6, 2017

ISBN: 978-1-943402-46-5

Page Count: 282

Publisher: Down & Out Books

Review Posted Online: May 22, 2017

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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