by gerald yukevich Ivan Cox ‧ RELEASE DATE: April 19, 2022
A moving tale of an immigrant child’s trials.
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In this historical novel, a young Polish immigrant in Pennsylvania struggles under the mercurial despotism of his father.
In 1911, Tadeusz Malinowski—everyone calls him Taddy or Tad—moves with his family from Poland to the United States when he is only 8 weeks old. They settle in western Pennsylvania, near Pittsburgh, led inconstantly by Tad’s father, Ignaz, or Jumbo as he is often called, who dishonestly insists that he has a royal bloodline. Of all the siblings, Tad is the favorite of his mother, Eva—he is a sweet boy who diligently looks after his older brother, Ziggy, who is mentally disabled, dismissively counted to be among the “low IQ unfortunates.” The entire family suffers under Jumbo’s delusions of grandeur and infantile spirit—he is talented and enterprising but also viciously violent and selfish. When he falls into financial arrears, he takes to alcohol—for a time, he’s a bootlegger who largely supplies himself with booze—and routinely beats Eva, who fecklessly tries to hide her bruises from the children. When Eva dies—Tad, the narrator of the story, is only 10 at the time—Jumbo only worsens his tyrannical grip over the family, sexually abusing his own daughter, Vera. Tad is haunted by guilt over his mother’s death—he furtively helped her perform an abortion on herself, a gruesome procedure that ended her life, chillingly described by Cox. Eva tells Tad she needs help discarding some blood pudding: “What I dumped into the hole was not blood pudding. It was bloody, all right, but it looked like a little lifeless red and purple tadpole. At one end, it had some little purple fins coming out from it. It had a long vein wrapped around it that ended in a soft, lumpy pool of black clots.” In heartbreakingly poignant terms, Tad relates his struggle to love his father, a complicated man who by turns invites admiration and contempt: “My love for Jumbo is a bitter task of loyalty.”
The author’s plot can take on a desultory, meandering quality—it often reads like a series of impressionist recollections rather than a tightly structured story. But a sense of thematic unity begins to slowly emerge, accompanied by a thoughtful reflection on the very nature of remembrance. Tad muses about his mother: “My dreams are different from my memories, which are gleaned through this unquenchable urge to dig into the past. This compulsion began abruptly with her death and continued relentlessly for many years. Regrettably, this process exposed me again and again to the pain, but it always seemed worth it. I could not stop it.” The novel often intentionally feels like a memoir—Cox’s literacy conceit is that the book is found years later by Tad’s son, not to be read until a century after Eva’s death. The author’s storytelling can be punishingly gritty—one particular scene in which Tad is brutally raped by an adult is as difficult to read as it is to forget. Fortunately, there is more to this tale than despair and woes—there is plenty of humor as well as hope to lighten readers’ loads.
A moving tale of an immigrant child’s trials.Pub Date: April 19, 2022
ISBN: 978-1-63985-561-2
Page Count: 374
Publisher: Fulton Books
Review Posted Online: July 20, 2022
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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