by Géraldine Krasinski ; illustrated by Olivier Latyk ; translated by Wendeline A. Hardenberg ‧ RELEASE DATE: Feb. 5, 2019
Not a high-octane outing, but it could fill in some background for curious would-be motorists just out of their car seats.
Pull tabs and other special effects rev up this look at the lives of cars, from factory to junkyard.
The book opens with a sparse “museum” of early autos and closes with a visit to a Formula 1 racetrack. In between, single-topic spreads take generic automobiles from design lab to dealer, supply glimpses of a dashboard and beneath the hood, then go on to show what happens at a repair shop, a service station, and a car wash. Moving elements, one or two per page, are fairly sturdy and relatively varied—ranging from large flaps to geared wheels, tabs, and slots that work a hydraulic lift or allow a wreck to be hauled aboard a tow truck. In Hardenberg’s translation from the French, Krasinski’s simply phrased labels and commentary incorporate some distinctive vocabulary: “prototype,” “exhaust pipe,” “pre-owned.” Though hybrid, electric, and driverless cars receive nods, the focus throughout is mainly on traditional gas guzzlers. Latyk darkens the skin of some of the stylized human figures in his simple illustrations, but like the cars on display, most are small on the page and generic of feature.
Not a high-octane outing, but it could fill in some background for curious would-be motorists just out of their car seats. (Informational novelty. 4-6)Pub Date: Feb. 5, 2019
ISBN: 978-2-40800-790-4
Page Count: 22
Publisher: Twirl/Chronicle
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by Mike Vago ; illustrated by Matt Rockefeller ‧ RELEASE DATE: Oct. 31, 2017
Ephemeral, though the interactive feature will likely prompt one or two voyages before the rocket flies off into oblivion.
A toy rocket propelled along a winding slot invites young astronauts to sample the wonders of outer space.
As in Vago and Rockefeller’s Train (2016), it’s all about the gimmick: a continuous slot cut into the heavy board pages that allows the small plastic vehicle (a retro-style rocket ship, here) to be pushed or pulled across each scene up to the edge and then around the edge to the next opening. Illustrating the generic rhyme (“Stars spin around in a cosmic race / Exploring the mysteries of outer space”), Rockefeller fills the starry firmament with flashes of light as the rocket soars past a crowd of glowing planets, winds its way through a thick field of “rocks,” pursues a comet, navigates a twinkling nebula, then swoops around a supernova to a die-cut hole that leads back to the first spread. The rocket is reasonably secure in its slot, but it can be reinserted easily enough should it fall (or, more likely, be pulled) out. The publisher suggests an age range of 4 through 8, likely in acknowledgment of the potential choking hazard the rocket ship poses, but the brevity and blandness of the text are unlikely to appeal to most in that range. Aside from a group of tiny figures watching the initial liftoff there are no people in the pictures.
Ephemeral, though the interactive feature will likely prompt one or two voyages before the rocket flies off into oblivion. (Novelty board book. 4-5)Pub Date: Oct. 31, 2017
ISBN: 978-1-5235-0113-7
Page Count: 15
Publisher: Workman
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Samantha Chagollan ; illustrated by Nila Aye ‧ RELEASE DATE: April 3, 2018
A promising approach—but too underpowered to reach orbital velocity.
Young earthlings turn starry skies into playscapes in this first look at constellations.
On a page first glimpsed through a big die-cut hole in the front cover, Chagollan promises that stars “tell a thousand stories.” She goes on to describe brief scenarios in which residents of Earth interact with 15 Northern Hemisphere constellations. These range from Benjamin’s battle with a fierce dragon beneath Draco to a trio of unnamed ducklings who use the Swan to “find their way home.” Six further starry clusters bearing only labels are crowded into the final spread. In illustrations composed of thin white lines on matte black backgrounds (the characters formed by the stars are glossy), Aye colors significant stars yellow, connects them with dots, and encloses them in outlines of mythological figures that are as simply drawn as the animals and humans (and mermaid) below. As a practical introduction, this has little to offer budding sky watchers beyond a limited set of constellations—two, the Big Dipper and the Summer Triangle, are not official constellations at all but classified as asterisms—that are inconsistently labeled in Latin or English or both. Despite a closing invitation to go out and “find these stars in the sky,” the book provides no sky maps or verbal guidelines that would make that actually possible.
A promising approach—but too underpowered to reach orbital velocity. (Informational picture book. 4-6)Pub Date: April 3, 2018
ISBN: 978-1-63322-509-1
Page Count: 32
Publisher: Walter Foster Jr.
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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