A fast-paced opener finds Flash, photographer-pilot, plummeting to the earth, cushioned by trees and thrown out of the cockpit, while flames gobble up his plane upon final impact. Where is he? It doesn’t matter at first. The confused photographer’s holding his Polaroid, when, led by two child primitives, he stumbles into a village. The camera becomes the best possible item he could have brought, as the primitives see special photographs that reflect and symbolize both their physical and internal world. The black-and-white drawings, one Polaroid per chapter, create the desire to look around the picture’s four corners to see the rest of the landscape and people, as well as flip through the pages to see what part of the village comes next. As Flash continues to experience confusion and head pain, he learns to think with his heart and develops as a character. What wasn’t important in the beginning, when his near fiery death and survival were central, becomes a delicious set of mysteries after his rescue: Where was he, and who were those people that he grew to love? Exquisitely told; fascinatingly seductive. (Fiction. 8-11)
Pub Date: Sept. 26, 2006
ISBN: 0-375-83640-3
Page Count: 128
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dizzyingly silly.
The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.
Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.
Dizzyingly silly. (Humor. 8-10)Pub Date: Aug. 26, 2014
ISBN: 978-0-545-50490-4
Page Count: 224
Publisher: Scholastic
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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