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MY LITTLE ONE

A playful and poignant take on parenthood.

The parent becomes the child in this sparsely worded French import.

The illustrations, done by 2020 Hans Christian Andersen Illustrator Award winner Albertine, rest in copious white space. They are spare, delicate line drawings in what appear to be pencil (no other color is applied) of a short-haired, dress-clad adult, as white as the page. All drawings appear on the recto; if one were to flip the book’s pages, the drawings would appear animated. The adult exclaims, “Here you are… // Finally!” and then cradles a miniscule but fully mature-looking adult, who appears to have emerged from the heart of the speaker. “I’ve been waiting for you,” reads the text. As the adult speaks fondly to the child (“my little one!”), telling them “our story,” embracing them, and even swinging them around in the air, the child grows tall. Gradually, the child is as tall as the parent once was while the parent shrinks in size. The child now cradles the parent until, bringing the story full circle, the parent seemingly disappears into the heart of its own offspring. The sense of movement on static pages is compelling—all in the form of fine, simple lines and dynamic page turns. This elegant story may tug more at the hearts of adult caregivers, but it surely provides food for thought for more-contemplative children, who may wonder at the notion that both characters at different times are the subjects of the book’s title. (This book was reviewed digitally with 12-by-17-inch double-page spreads viewed at actual size.)

A playful and poignant take on parenthood. (Picture book. 5-12)

Pub Date: Oct. 27, 2020

ISBN: 978-1-939810-66-3

Page Count: 80

Publisher: Elsewhere Editions

Review Posted Online: July 2, 2020

Kirkus Reviews Issue: July 15, 2020

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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