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SO YOU WANT TO WRITE A BOOK ON ISLAM

Unconvincing arguments about Islam and the Quran.

Latta presents his wide-ranging thoughts on the Quran in this debut book.

The author begins by calling into question the very notion of hate speech and Islamophobia. He posits that it’s the Western media that are truly afraid of Islam—and with good reason. For the author, supporters of Islam are “misogynistic, slavery-loving, sex-obsessed halfwits.” He believes that “the West, out of a pure need for self-preservation among other things, must banish Islam.” He discusses the misogyny he finds in the Quran, citing verses pertaining to men’s domination over women and the promise of 72 virgins in the afterlife for Muslim men. Latta describes that promise as “land-grabber” Muhammad’s recruitment strategy for his conquest of the “sociopathic, uneducated part of the world.” The author sidesteps many arguments about similarities between the Old Testament and the Quran by asserting that Muhammad stole and corrupted ideas from the Bible, an inherently better book because Christian fundamentalists do not bomb their own “left, right, and centre.” No actual research into ancient texts is supplied, but Latta does provide quotes from an unnamed, personal blog that, for him, proves democracy and Islam are incompatible. The only things that the author seems to hate more than the Quran are the immigration and multicultural policies of Canada, his home country. He offers several vague, anecdotal stories about Canadian immigrants to illustrate these points. (As a former soccer player, Latta himself has “witnessed the behaviour of all sorts of other ethnic…groups.”) His concluding chapters call for an all-out war against Islam. In his passionate book, the author provides some thought-provoking assertions, including that the politically correct culture has made Westerners blind and unwilling to confront the unsettling aspects of Islam’s fundamental text—a controversial yet intriguing contention worth exploring. But Latta’s attempts at brash, tell-it-like-it-is humor create a cruel and rambling voice that spews outlandish and unsupported assumptions. He compares Muslims to neo-Nazis, although he seems to show a bit more sympathy for the latter group when discussing slavery: “Even neo-Nazis are focused on sending blacks back to where they came….This means, of course, even they are not in favour of slavery. You cannot control a slave when he is on another continent.” Ultimately, his arguments are unpersuasive and will likely appeal only to like-minded readers.

Unconvincing arguments about Islam and the Quran.

Pub Date: Dec. 20, 2017

ISBN: 978-1-5255-1551-4

Page Count: 156

Publisher: FriesenPress

Review Posted Online: March 27, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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