by Gilbert King ‧ RELEASE DATE: April 1, 2008
Injustice, inhumanity and death, all made strangely charming and unforgettable.
A well-wrought tale of murder, secrets, lies and state-sponsored and state-botched retribution.
In addition to accounts of the atomic bombing of Hiroshima, August 6, 1945, editions of Louisiana newspapers carried news of the arrest of Willie Francis, a black, stuttering, semi-literate teenager accused of the murder of small-town pharmacist Andrew Thomas. After the detention, trial and conviction, which were riddled with constitutional offenses shocking to a post–Warren Court citizenry, Francis incredibly survived the electric chair, thanks to the malfeasance of his drunken executioners. Was the State of Louisiana legally entitled to attempt the execution again? The unsuccessful battle to save Francis’s life constitutes the heart of King’s story and features three heroes: Bertrand DeBlanc, friend of the victim and grandson of a state Supreme Court justice who fought tirelessly and for little pay; A.P. Tureaud, pioneering NAACP attorney; and J. Skelly Wright, who argued the case before the U.S. Supreme Court, and who was destined to become one of the great judges in American history. The informed and reader-friendly discussion of the legal issues and maneuvers attending the Francis appeal, including the intriguing backstage drama at the nation’s highest court, is reason enough to recommend this story, but King’s masterful applications of Bayou State color set this book apart. Ably navigating the bewildering gradations of heritage and race that were so important in postwar Louisiana, he drenches these pages with the lore of the “cursed” Cajun town of St. Martinville, locus of the Thomas murder and terminus of the fictional “Evangeline,” made famous in Henry Wadsworth Longfellow’s epic poem of the same name. King (Woman, Child For Sale: The New Slave Trade in the 21st Century, 2004) expertly juxtaposes the electric chair’s adoption as a supposedly humane alternative to the barbarity of hanging with the grisly experience of the probably guilty young man who finally died in the lap of the killing machine nicknamed “Gruesome Gertie.”
Injustice, inhumanity and death, all made strangely charming and unforgettable.Pub Date: April 1, 2008
ISBN: 978-0-465-00265-8
Page Count: 324
Publisher: Basic Civitas
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2008
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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