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THE LAST KING OF SCOTLAND

A remarkable debut novel by British journalist Foden (The Guardian), who describes—in the best Conradian tones—an idealistic young physician’s descent into the maelstrom of Idi Amin’s Uganda. In a remote and wintry corner of Scotland, Dr. Nicholas Garrigan is trying to look back—through the snow piling up outside his window—on his days in the tropics. The son of a Scots Presbyterian minister, Nick grew up in the wee town of Fossiemuir and saw very little of the world beyond Edinburgh before passing his medical exams and accepting a post with the Ministry of Health that sent him to Uganda in the early 1970s. This, then, “is a story of various strange happenings in Central Africa, happenings which involved the author, Nicholas Garrigan, in a professional and private capacity.” And how: Nick landed in Uganda just as Idi Amin was transforming his Emperor Jones’style autocracy into a full-fledged reign of terror, and Nick not only survived the bloodletting but rose (through the typical succession of circumstantial flukes that controls these things) to become Amin’s personal physician. From his place at the Emperor’s right hand, he witnessed all the absurdities, barbarisms, and venalities symbolizing much of postcolonial Africa —tribal wars, the scapegoating of Asian “profiteers,” palace intrigues, assassinations. There was one horror, though, that Nick couldn—t be prepared for: he actually came to like Amin as a person. This affection makes for difficulties when, in the novel’s foreground action, British operatives try to enlist him in a plot to poison the dictator: his refusal to take part in the scheme makes for even more trouble after Amin falls from power and Nick must seek asylum in a Britain that now views him as an alien functionary. In the end, of course, Nick comes to see that he has been an alien from the start—a recognition that’s little consolation but no minor achievement. Lurid and delightful, written with wit and real maturity. (First serial rights to Granta)

Pub Date: Nov. 10, 1998

ISBN: 0-375-40360-4

Page Count: 336

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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