by Gina Apostol ‧ RELEASE DATE: Jan. 4, 2022
An occasionally frustrating but often entertaining literary throwback.
Philippine American author Apostol's debut novel, first published in the Philippines in 1997, follows a young woman in love with books and, by extension, indiscriminately, with their authors.
Primi Peregrino's parents, a comic book artist and a taxidermist, jump or are swept off a ship when she is 8, leaving her and her older sister, Anna, who may be a witch, to be raised by a series of peculiar relatives and others, including a grandmother who gives Primi a copy of the Kama Sutra when she's barely old enough to read, a lawyer with “a glance as cunning as a cur's,” and their “aging, excessively gentle, hopeful” godfather, Diego Bastardo. Throughout her childhood, Primi reads: Dostoyevsky, Dickens, and 19th-century Philippine author Jose Rizal, who “kept butting into the curriculum from the time I was in Grade One.” By the time she's 15, and then for the next five years the novel covers, she's having sex with poets or writers of short stories or owners of bookstores or anyone tangentially connected with literature and haunting poetry readings and book launches in search of her next lover. “Surrounded by language-passion, one can't help but get tainted,” she says. Deliberately oblivious to politics, she is astonished by the street demonstrations in Manila that lead to the end of the Marcos regime. Even more than of its place in Manila, this is a book of its literary time, when metafiction flourished. Though it can be hard not to grow impatient with its curlicues of prose, self-referentiality, and almost total absence of linear plot, the novel is full of little verbal surprises and humor, and it's fun to watch the author play with the contrast between her self-involved heroine, who frets that “the winds of change were making people sing folk songs that were driving me nuts,” and the reality of radical political change.
An occasionally frustrating but often entertaining literary throwback.Pub Date: Jan. 4, 2022
ISBN: 978-1-641-29251-1
Page Count: 216
Publisher: Soho
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
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by Gina Apostol
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Freida McFadden ‧ RELEASE DATE: Jan. 28, 2025
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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