A readable and in-depth look at how sins of the past can live on, and how one can confront them.
A study of how emotional dysfunction can take on a generational aspect.
“If we really want to respect the generations gone by,” writes licensed counselorBirkemeier in this work of nonfiction that melds genealogy and personal psychology, “we must learn from them, and if possible, grow beyond them.” In a long process of “dismantling the dysfunction” of her past, the author sought to untangle the effects of lies and distortions; for example, she found out only later in life that her mother gave her up for adoption, took her back, and then gave her up for adoption a second time. She also notes that her memories contain gaps because she may have been “drunk, high or maybe both my entire high school career.” She gradually adopted a mantra that would guide her later research: “Breaking cycles. Slaying shame. Finding freedom.” In these pages, Birkemeier looks back at her own family tree—specifically, at ancestors’ toxic behaviors and how their stories carry into later generations, allowing “layers of dysfunction to grow.” The author breaks these lessons into small segments and follows each with a moment for reader reflection that begins with the greeting “Dear Friend” (“it is here we should pause and discuss something important”). Birkemeier employs a fast-paced and engagingly straightforward style as she tells stories from her childhood and young adulthood, and this creates a low-stress atmosphere that’s welcoming to readers dealing with difficult family memories. The author also frequently explains biochemical aspects of trauma, noting, as when she notes that the hyperstimulation of the amygdala can leave it permanently “in the ‘on’ position,” causing one to sense danger everywhere; these give her personal reflections even greater heft. The end result is an intriguing study of the legacy of emotional baggage, ultimately cast in a tone of optimism: “You don’t know what you don’t know until you know it,” she writes. “Then, when you know, you must do something with it.”
A readable and in-depth look at how sins of the past can live on, and how one can confront them.Pub Date: March 18, 2021
ISBN: 978-1-73-295452-6
Page Count: 356
Publisher: Out Loud Publishing
Review Posted Online: June 28, 2021
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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