A delicately illustrated, enthusiastic, and informative tour of woodland life for young readers.
Various families with children take a rhyming journey through a forest in musician Ginalina’s picture book.
Animals are shown to be worth careful attention in this conservation-minded celebration in which adults and kids encounter a forest packed with birds, leaves, flowers, berries, foxes, and more. Humans’ interactions with the world are peaceful; they scrape in the dirt with sticks, play guitar beneath trees, pick berries, count tree rings, and weave mats from grass. Short stanzas in readable capital letters introduce readers to hemlock, alder, and a “ruby-throated hummingbird” as well as tidbits about nesting habits, food, and life patterns in the woods, but the art also does its share of education. Wills’ lineless, high-contrast illustrations—with flat perspective in coral, dark green, and yellow—mimic the appearance of vintage papercuts and woodcuts while providing relevant identifying features of birds and leaves. The meticulous images lack some of the fluidity, chaos, and mess of the natural world, but pleasant visual echoes underline connectedness: eggs in a nest resemble white bunnies in their burrow, and children poking at the rings of a tree match the shapes of birds drinking water. Featured humans are Asian and appear thin and light-skinned with dark hair, and a range of parent and elder figures hint at diversity in family configurations.
A delicately illustrated, enthusiastic, and informative tour of woodland life for young readers.Pub Date: Dec. 1, 2021
ISBN: 978-1-989927-05-2
Page Count: 44
Publisher: Peppermint Toast Publishing
Review Posted Online: Feb. 19, 2022
Kirkus Reviews Issue: April 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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