by Ginger Wadsworth ; illustrated by Craig Orback ‧ RELEASE DATE: Sept. 17, 2019
An appealing but oddly truncated biography.
The story of how Charles Schulz became a cartoonist and created the “Peanuts” comic strip.
“Someday, Charles, you’re going to be an artist!” said Charles Schulz’s teacher after he had drawn an odd snow scene with a palm tree in a snowbank. Charles, nicknamed Sparky by an uncle, always liked to draw, and his family always read the comics together. Sparky would copy his favorite characters for practice, and he even submitted a drawing of his dog, Spike, for the Believe It or Not cartoon, and it was accepted! After high school, he began submitting cartoons to popular magazines and piled up many rejection letters. Eventually, though, the Saturday Evening Post started buying his single-panel cartoons, and the United Feature Syndicate offered Schulz a five-year contract if he would develop his characters further: “Peanuts” was born. And there the volume ends, with Schulz on the verge of great success as a cartoonist, information about the “Peanuts” gang—Charlie Brown, Snoopy, Lucy, Linus, and others—reserved for the backmatter. The illustrations were created with pen and ink, colored pencil, and gouache paint, and frequent use of paneled illustrations appropriately suggests Schulz’s future comic-book world. It’s a largely white world; the only reference to a character of color is in the backmatter, with Franklin in the dramatis personae of the “Peanuts” strip.
An appealing but oddly truncated biography. (author’s note, artist’s note, places to visit, sources, notes) (Picture book/biography. 4-8)Pub Date: Sept. 17, 2019
ISBN: 978-1-250-17373-7
Page Count: 40
Publisher: Henry Holt
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
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by Kevin McCloskey ; illustrated by Kevin McCloskey ‧ RELEASE DATE: April 14, 2015
Norma Dixon’s Lowdown on Earthworms (2005) digs deeper into the subject, but this lays fertile groundwork for budding...
Beginning readers who tunnel through this upbeat first introduction will “dig” them too.
After an opening look at several kinds of worm (including the candy sort), McCloskey drills down to the nitty-gritty on earthworms. He describes how they help soil with their digging and “poop” (“EEW!”) and presents full-body inside and outside views with labeled parts. He also answers in the worms’ collective voice such questions as “Why do you come out after the rain?” and “How big is the biggest worm in the world?” that are posed by a multiethnic cast of intent young investigators in the cartoon illustrations. A persistent but frustrated bluebird’s “Yum, yum!!” and rejected invitations to lunch offer indirect references to worms as food sources, and reproductive details are likewise limited to oblique notes that worms have big families “born from cocoons.” Single scenes mingle with short sequences of panels in pictures that are drawn on brown paper bags for an appropriately earthy look.
Norma Dixon’s Lowdown on Earthworms (2005) digs deeper into the subject, but this lays fertile groundwork for budding naturalists. (Informational picture book. 5-7)Pub Date: April 14, 2015
ISBN: 978-1-935179-80-1
Page Count: 40
Publisher: TOON Books & Graphics
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Kevin McCloskey ; illustrated by Kevin McCloskey
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by Kevin McCloskey ; illustrated by Kevin McCloskey
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by Kevin McCloskey ; illustrated by Kevin McCloskey
by Kevin McCloskey ; illustrated by Kevin McCloskey ‧ RELEASE DATE: April 19, 2016
Another feather in McCloskey’s cap.
Budding naturalists who dug We Dig Worms! (2015) will, well, coo over this similarly enlightening accolade.
A curmudgeonly park visitor’s “They’re RATS with wings!” sparks spirited rejoinders from a racially diverse flock of children wearing full-body bird outfits, who swoop down to deliver a mess of pigeon facts. Along with being related to the dodo, “rock doves” fly faster than a car, mate for life, have been crossbred into all sorts of “fancies,” inspired Pablo Picasso to name his daughter “Paloma” in their honor, can be eaten (“Tastes like chicken”), and, like penguins and flamingos, create “pigeon milk” in their crops for their hatchlings. Painted on light blue art paper—“the kind,” writes McCloskey in his afterword, “used by Picasso”—expertly depicted pigeons of diverse breeds common and fancy strut their stuff, with views of the children and other wild creatures, plus occasional helpful labels, interspersed. In the chastened parkgoer’s eyes, as in those of the newly independent readers to whom this is aimed, the often maligned birds are “wonderful.” Cue a fresh set of costumed children on the final page, gearing up to set him straight on squirrels.
Another feather in McCloskey’s cap. (Graphic informational early reader. 5-7)Pub Date: April 19, 2016
ISBN: 978-1-935179-93-1
Page Count: 40
Publisher: TOON Books & Graphics
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
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