by Ginger Wadsworth & illustrated by Karen Dugan ‧ RELEASE DATE: Sept. 1, 2009
In the spring of 1903, President Theodore Roosevelt took a long trip to the far American West and capped his visit with a four-day camping trip through Yosemite with famed naturalist John Muir. Dodging persistent reporters, the men rode through ancient sequoia forests, climbed Glacier Peak and camped at the foot of Bridalveil Fall. As detailed in an author’s note, the trip likely played a significant role in Roosevelt’s later conservation efforts. Wadsworth’s research is sound, her writing spritely and her information interesting, but she reports the story instead of telling it, and she does so in so much detail that the amount of print overwhelms Dugan’s otherwise serviceable watercolors. Half the words would have twice the value; as written, it’s not detailed enough for older readers, who will gravitate toward chapter books, but too much for younger readers and downright daunting as a read-aloud. Some of Roosevelt’s quotes (“I want to drop politics absolutely for four days”) are authentic and sourced; others (“This is bullier yet!”) are “created by the author based upon typical language of Roosevelt”—an unfortunate license. (author’s, biographical notes) (Picture book. 7-10)
Pub Date: Sept. 1, 2009
ISBN: 978-1-59078-497-6
Page Count: 32
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
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by Chris Barton ; illustrated by Don Tate ‧ RELEASE DATE: April 1, 2015
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Chris Barton ; illustrated by Chaaya Prabhat
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by Willie Nelson & Bobbie Nelson with Chris Barton ; illustrated by Kyung Eun Han
by April Jones Prince & illustrated by François Roca ‧ RELEASE DATE: Sept. 26, 2005
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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by April Jones Prince ; illustrated by Christine Davenier
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