Mary Logue’s Sleep Like a Tiger, illustrated by Pamela Zagarenski (2013), and Mem Fox’s classic Time for Bed, illustrated by...
In the crowded field of won’t-you-please-go-to-sleep books, this visually pleasing but awkwardly rhymed story fails to forge any new paths into dreamland.
The attractive cover of the oversized volume features a starry nighttime scene with a smiling fox asleep under a puffy quilt, establishing a calming tone. The first spread includes a little boy asleep in his bed next to his teddy bear, and from there, a wide variety of animals, including fish and fowl, bed down for the night in outdoor settings with anthropomorphic accessories such as pajamas, beds and cozy quilts. Appealing illustrations in a fanciful, mixed-media style employ collaged elements of paper and fabric against painted backgrounds, with swirling lines and oversized leaves and blossoms setting a surrealistic mood. The environments are scrambled together in a wildly disparate manner that echoes the illogical quality of the dream world, and proportions are often exaggerated so smaller creatures seem huge, like a butterfly as big as a tiger’s head. The rhyming text, translated from the Italian, bounces along in singsong fashion with some awkward scansion and phrasing that often trips into tongue-twister territory. Though the repeated introductory words, “hushaby, lullaby,” establish a serene cadence, many of the rhyming verses trip up rather than soothe.
Mary Logue’s Sleep Like a Tiger, illustrated by Pamela Zagarenski (2013), and Mem Fox’s classic Time for Bed, illustrated by Jane Dyer (1993), explore the same territory with greater success. (Picture book. 3-6)Pub Date: April 18, 2014
ISBN: 978-0-8028-5439-1
Page Count: 26
Publisher: Eerdmans
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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