Next book

ULTIMATE HIGH

MY SOLO ASCENT OF EVEREST

A ham-handed account of what had all the ingredients to be a gripping adventure tale—Sweden to Kathmandu by bicycle, trek to Everest, climb, return by same route—from Kropp, the second person to ever reach the summit of K2 without supplemental oxygen, assisted by Swedish freelance journalist Lagercrantz. Inspired by the Himalayan feats of Reinhold Messner and Peter Habeler, the light-traveling by-fair-means high-altitude climbers, Kropp decides to tackle Everest with no support whatsoever. He will get wherever he has to go under his own steam, carry his own food and low-rent gear, climb unassisted by Sherpas or oxygen: “the high tech gadgets, the abandoned equipment, and the left-over, left-behind junk are a rape of nature.” But rather than this being an environmentally sound, good-spirited approach, Kropp comes across as superior, with a scary sense of purity and punishment: “I prepared for the ascent by running in the mountains above the city until I felt the taste of blood in my mouth.” The trip to Nepal is told in juddering diary entries such as “December 29 / Kashan / I get a pencillin shot in a small hospital,” and when he gets to base camp, many of the climbers disgust him: “Everest has become a luxury peak, a place for buffoons who want something to brag about at their garden parties.” (This is May 1996, and a good number of them will soon be dead.) Kropp spends too much time commenting on the conduct of others (“excuse me for gossiping”)—who is having an affair with whom, who lied about summiting what peaks—and too little building a compelling narrative about his own adventure. He climbed without oxygen, and perhaps that robbed him of the experience. He sinks his own self-righteous ship by sneering at Messner, who climbed all the high peaks without oxygen. “The sad thing is, you can tell . . . the thin air has probably damaged his brain.” “So much writing has been done about climbing—and life—at the highest altitudes.” Too much. Add this book to the ballast. (photos, not seen)

Pub Date: Oct. 1, 1999

ISBN: 1-56331-830-X

Page Count: 240

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview