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I, LUCIFER

Duncan has comic energy to spare but no clear idea of what to do with it. The result reads like a promising first draft.

The Devil is on vacation, sampling life in London and reflecting on some of his career highlights, in this grab bag from the British Duncan (first US publication).

Lucifer addresses you directly in an intermittent monologue, and his voice will either pull you in or turn you off. It’s flip and in-your-face as it mixes insults and endearments: somewhat like stand-up comedy. But there’s also a smidgen of plot. Gabriel brings Lucifer an offer from God: the chance to redeem himself if he agrees to live as a human. There will be a one-month trial period. Lucifer accepts. He has no interest in redemption (are you kidding?), but a month in a human body will be a great vacation and a nice respite from the pain that racks him unceasingly. (Or so we are told in passing. For a real taste of Hell, read Stanley Elkin’s marvelous The Living End.) As Lucifer enters the body of Declan Gunn (note the anagram), he experiences sensuous paradise. Now he can taste an ice cream, smell the roses (and the sewers), and scramble his brains with drugs and booze. This Gunn is a sad sack, a failed writer on the verge of suicide, an ugly little monkey to book, but Lucifer enjoys visiting his girlfriends. There’s nothing devilish about these escapades. A visit to the office of Declan’s agent, where he manhandles a rival, could be any young writer’s fantasy; sessions with movie people are routine spoofs of Hollywood. Yet there are also those memories of career highlights (the original rebellion in heaven, the temptation in the Garden), as well as long, quite serious riffs on the Inquisition and the Third Reich, both splendid examples of the systematic evil Lucifer sees as a growth industry. Missing, though, is any internal dynamic to reconcile the snide and the solemn.

Duncan has comic energy to spare but no clear idea of what to do with it. The result reads like a promising first draft.

Pub Date: May 1, 2003

ISBN: 0-8021-4014-9

Page Count: 272

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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