A lighthearted yet profound assemblage; every story here is a little miracle.
Sixteen stories illuminate the wonder of human connection in Heefner’s collection.
To read this debut collection is to confront the messy, fragile, joyful business of being alive. “Everyone is their most interesting while they’re becoming their best, not after,” says the eponymous character in “What Crissy Calls Becoming,” a wildly unpredictable story about a man who’s unlucky in love, his new acquaintance, and the intense, more-than-friends/less-than-lovers relationship they develop. It is this “becoming” that unites the characters in these stories, a broad cast that hails from all over the map: They are from South Dakota and Oregon, Idaho and Kentucky; they are lawyers and store clerks, waitresses and car salesmen; they are children caring for their aging parents and divorced people looking to find love again, criminals on the run and spouses madly in love after years of marriage. All of them are searching for paths to their true and better selves. When an armed man threatens a cashier in “From Hibernation,” Olaf can’t help but intervene to protect his colleague—a heroic act that earns the attention of a local sheriff and threatens to expose Olaf’s murky past. A recovering alcoholic in “Nosy SOB” becomes obsessed with the woman whose life he may have saved in a traffic accident, looking for ways to get in touch with her. “I Want To See Your Hand” follows Pam as she attempts to make amends with the woman her father unintentionally crippled years earlier. And in the title story, a tragedy at the Adult Sunday School sparks a man’s heartbreaking journey to come to terms with his father’s suicide. While the plots are sometimes overly intricate and hard to grasp, these stories reward a second read. The author writes with an impeccable eye for detail and endless reserves of warmth and humor—his sentences deftly capture the mundane and the sublime.
A lighthearted yet profound assemblage; every story here is a little miracle.Pub Date: Aug. 18, 2023
ISBN: N/A
Page Count: 224
Publisher: Dont Wake Me Fiction LLC
Review Posted Online: Aug. 14, 2023
Kirkus Reviews Issue: Nov. 1, 2023
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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