A jubilant combination of verse and illustration that captures this momentous historical event.
A Black family gathers on Juneteenth.
David’s family has joined relatives to celebrate the holiday in Galveston, Texas. After the parades, speeches, food, and music, the culminating activity is David’s grandmother’s telling the story of her grandmother Mom Bess and the events that came to be known as Juneteenth. The rumors that freedom was coming for enslaved people finally came true with the arrival of a White soldier on horseback who read the Emancipation Proclamation. Bess, who was 6 at the time, did not understand until her mother explained what freedom meant. The newly freed began to plan what they would do next. Bess’ parents started to work for wages, eventually purchasing land and providing an opportunity for Bess to get an education. The afterword explains that although President Abraham Lincoln issued the Emancipation Proclamation to take effect Jan. 1, 1863, enslaved people in Texas did not learn of the change in their status until June 19, 1865. For years some states celebrated the holiday. In June 2021, President Joe Biden declared Juneteenth a federal holiday. Armand uses the same meter as Clement C. Moore’s “ ’Twas the Night Before Christmas,” evoking the same anticipation—in this case for freedom. Infused with movement, Barksdale’s lively, fluid colorful, acrylic, oil, and pastel watercolor pencil illustrations complement the rhythmic text that centers family and story. (This book was reviewed digitally.)
A jubilant combination of verse and illustration that captures this momentous historical event. (Informational picture book. 4-8)Pub Date: May 2, 2023
ISBN: 978-0-593-56746-3
Page Count: 40
Publisher: Crown
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Amid inconsistencies of format and information, the illustrations end up giving the most clarity about this festival.
Diwali, the festival of lights, a five-day celebration that has many different forms, is celebrated in different ways across India and in many other countries.
This board book cursorily presents the different rituals associated with this celebration of the Hindu New Year, including getting the house ready to welcome Lakshmi, the goddess of wealth; decorating the house with rangoli and diyas; and celebrating with family, friends, fireworks, and good food. The text is simple and gives only very basic information. “On the fifth and final day of Diwali, we celebrate brothers and sisters. The lifelong bond between siblings is special, and we honor that.” The illustrations show four different sets of siblings celebrating each other in different ways, none of which are mentioned in the text, making it difficult for younger readers to understand the complexity of the celebration. Sreenivasan’s illustrations are colorful, detailed, and authentic, and they carry the book. They feature happy and smiling dark-haired people with a range of skin tones, diverse in ethnicity and dress. In bright, vivid colors, intergenerational families and friends from different regions come alive, dressed up in their colorful best, celebrating and enjoying the festival together in different ways. The board format of this title does not match the age range and conceptual level of the text.
Amid inconsistencies of format and information, the illustrations end up giving the most clarity about this festival. (Board book. 4-8)Pub Date: Aug. 28, 2018
ISBN: 978-1-5344-1990-2
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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