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CYCLES OF NORSE MYTHOLOGY

Thrilling stories of fire and ice, love and savagery, retold in an accessible, comprehensive package.

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A collection of mythology focuses on the Norse gods’ comedies, tragedies, and bloody histories.

Norse mythology is vast, full of passionate and violent tales about gods, giants, and mortals. Assembled here, gleaned from the Eddas and research of scholars, are six cycles of this pantheon’s legends, battles, and heartbreaks. The first one features Odin, impatient yet dedicated to his quest for wisdom. It includes an old seeress recounting the dismemberment of Ymir and the use of his body in the creation of Earth and the heavens; the history of the nine worlds; and the foreshadowing of their end. Cycles 2 and 3 gather the trials of some of the greatest heroes, following Thor as he grows into a champion; the trickster Loki, whose cunning stands out in a world defined by strength; and the enslavement of Volund, the great Wonder Smith, by Nidud. Their legends range from the comical to the horrific—Volund’s revenge ends in the rape of Nidud’s daughter and the forging of his sons into jewelry and chalices. But there is great humor as well, often from sheer incredulity, from Frigg’s reacting to her husband’s impregnating her mother with Thor to Loki’s giving birth to his father’s eight-legged steed, Sleipnir, and Thor’s dressing as Freyja to retake his stolen hammer, Mjollnir, from the Jotun Thrym. Cycle 4 sets the stage for the apocalypse Ragnarök in Cycle 5, as Loki and his wolf-son are bound with a special ribbon, giants of fire and ice stir, and Odin gathers his undead heroes for the final, inevitable battle. Cycle 6 tells further stories of gods and mortals meeting, though these feel slightly outside of the overarching saga that dominates the book. Searfoss (Skulls and Bones, 1995, etc.) has assembled an approachable novel chronicling the sometimes impenetrable Norse myths. Using a style inspired by oral traditions, the author casts Odin, Freya, and other characters as both storytellers and protagonists. Their feats are recounted with an epic flair, replete with violent prophecies, clanging metal in battles, and even Odin’s crushing tears of loss. The work acknowledges the vast resources it draws from with an impressive glossary, albeit short on page numbers; a bibliography listing further readings in English; and a link to a helpful reference website.

Thrilling stories of fire and ice, love and savagery, retold in an accessible, comprehensive package.

Pub Date: April 4, 2019

ISBN: 978-1-78982-082-9

Page Count: 838

Publisher: Acorn Books

Review Posted Online: Jan. 8, 2020

Kirkus Reviews Issue: March 15, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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