by Glenys Nellist ; illustrated by Elena Selivanova ‧ RELEASE DATE: Oct. 5, 2021
A religious centering amid the run-up to Christmas.
A day-by-day Advent adventure for families to share together.
Beginning on Dec. 1 with an introduction to the season of Advent and this book, and ending on Dec. 25 with just a short rhyme, Nellist’s text familiarizes children with the Christmas season and events ranging from Genesis’ “Let there be light” and Isaiah’s foretelling the birth of a baby to Mary’s visit with Elizabeth and the arrival of the Magi after Jesus’ birth (on Dec. 21 here). A rhyming verse starts each day’s entry. The meter and rhyme sometimes force the word order and choices and, in four entries, unfortunately and jarringly reflect the classic poem “A Visit From St. Nicholas.” The bulk of each page explains the Bible verse that follows the rhyme and humanizes the main characters: Joseph’s indecision about marrying a pregnant Mary, the job of a shepherd, and the treasure box of memories that Mary stored in her heart. The entry ends with a brief prayer: “Dear God, thank you for Mary who was so brave and trusted you. When I need to be brave, help me remember that you are with me.” Depending on their ages, children within a family may find some content too simple and some over their heads. Jewel-toned illustrations in luminous colors and lots of detail fill half of each spread. All the people, save the three Magi, are Middle Eastern in skin color, facial features, and dress. (This book was reviewed digitally.)
A religious centering amid the run-up to Christmas. (Religion. 4-10)Pub Date: Oct. 5, 2021
ISBN: 978-0-310-73415-4
Page Count: 48
Publisher: Zonderkidz
Review Posted Online: Aug. 10, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Glenys Nellist ; illustrated by Sally Garland
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by Glenys Nellist ; illustrated by Sally Garland
by Hannah Eliot ; illustrated by Alina Chau ‧ RELEASE DATE: Dec. 11, 2018
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Hannah Eliot ; illustrated by Belinda Chen
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by Hannah Eliot ; illustrated by Liz Brizzi
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by Hannah Eliot ; illustrated by Ana Sanfelippo
by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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