Detailed, compelling and ambitious historical fiction about the long struggle for Philippine independence.
A historical novel that dramatizes the Philippine Revolution at the close of the 19th century.
In her fiction debut, Palileo uses the life of idealistic young seminarian Placido Mendoza to tell the tempestuous story of the Philippine Revolution. The revolt began in 1896 when a clandestine Filipino independence movement, the Katipunan, was discovered by the Philippines’ Spanish colonial overlords. Palileo uses Mendoza’s interactions with a dozen prominent figures to weave a fast-moving, complex and sprawling tale along the lines of James Clavell’s Shogun (1975) or Gary Jennings’ The Journeyer (1984). Most readers will be unfamiliar with the long-simmering tensions between the Spanish friars, who exercised ruthless power to maintain control of the colony, and the titular indios, the common people who increasingly agitated for their freedom. Mendoza is an ilustrado, a college-educated member of the native population, and in Palileo’s well-staged opening scene set in 1872, the complacency of Mendoza’s world is shattered: He watches, horrified, as one of his clerical mentors is publicly executed by order of the colonial administration. Nine-year-old Andres Bonifacio is also in the crowd; his future as a revolutionary leader is foreshadowed by his angry comment: “God is white...Jesus is white...All the saints are white...No Indio would get past San Pedro, priest or no priest.” Palileo ably intertwines Mendoza’s story with that of the growing revolutionary movement and does an excellent job of capturing the intellectual tensions that led from the first uprisings against the Spanish to the Battle of Manila Bay. She highlights not only Mendoza and his personal struggles, but also the larger-than-life Filipino Gen. Emilio Aguinaldo, who tends to steal every scene he’s in. Overall, the author skillfully develops the vectors of this tangled tale, illustrating how all sides attracted equally intelligent and passionate adherents. The story ends around 1898, leaving open the attractive prospect of a sequel.
Detailed, compelling and ambitious historical fiction about the long struggle for Philippine independence.Pub Date: June 2, 2014
ISBN: 978-1496021618
Page Count: 215
Publisher: CreateSpace
Review Posted Online: Sept. 5, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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